Showing posts with label midi controller. Show all posts
Showing posts with label midi controller. Show all posts

Thursday, July 26, 2012

Akai APC40 Abelton Controller Review

Akai APC40 Abelton Controller
Average Reviews:

(More customer reviews)
I've been drooling over this since it was announced, and I am so happy that I finally broke down and bought one. It's a shame that there are no reviews up yet, so let me be the first to say that this controller is amazing. Make sure that you erase any previous midi mapping that you've done and then restart Ableton, and you'll find that it has perfectly automapped itself. At first I thought that it was a little strange that there's no manual included... but after five minutes, I realized that it DOESN'T NEED A MANUAL. That's just how intuitive it is, from top to bottom.
The hardware itself is up to usual Akai standards: the knobs and faders feel weighty and responsive. This thing is both larger and thinner than I thought it would be, but after playing around with it the size feels perfect. The two-way communication is killer- just drop an audio clip into Live and it will instantly appear on the grid, color-coded to match its status. Recording and triggering loops couldn't be easier, and the entire interface perfectly emulates what you're used to seeing on the screen.
In the upper right-hand corner you have control over the pan and sends A through C for tracks 1-8, which is really nice. My only complaint is that I would have preferred to have it become all the sends for whatever track is highlighted, but I'll get used to the new workflow. Part of what makes Ableton Live great is that it accommodates so many different styles of music, so making a universal controller for the program was a bit of a challenge. Akai really stepped up and once you get your hands on it, you'll see what all the hype is about: this really is the be-all and end-all of hardware for the program.
One downside I've found is that navigating the plugins can be sort of clunky. First you highlight a track and then the knobs in the lower right are assigned to the first plugin you've placed there. Then you use the left and right buttons to scroll through each unit, and when you do the knobs reassign themselves to control the appropriate effects. I find that having to click through them all is sort of difficult, but there's nothing stopping me from using the mouse like I used to. I guess the only thing that is stopping me from handing out a 5-star rating is that the APC40 sort of forces you to use the workflow they've designed. Remapping the controls isn't difficult, but everything is laid-out and labeled in such a way that it sort of corrals you into getting used to doing things their way.
This review is starting to look a little long, so I'll just sum it up: I absolutely love this thing. I wish I had picked it up sooner and if you are AT ALL considering this purchase, just do it already. Well-constructed, well-programmed, and absolutely worth the money. Like me, you're probably used to using an assortment of controllers and you're wondering if you need to spend the cash. Well, this thing will replace all of those and more, and you'll quickly get used to the layout. Just do it!

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Working in partnership with software developer Ableton, the Akai APC40 Performance Controller offers a control surface that's specifically designed for performance with Ableton Live software. Designed to be a powerful, intuitive controller for electronic music performance artists, DJs, hip-hop producers and traditional musicians using Ableton Live on stage and in the studio, the Akai APC40 transforms your experience from one of constructing tracks with software on a computer to one of fluid, effortless, musical creation.

Key Features
Designed in partnership with Ableton for Ableton Live
Unique clip matrix with multicolor lighting displays current clip status
No mapping required; every knob, button, and fader is customizable
Bidirectional communication between APC40 and Ableton Live
Solid, professional feel with rugged, metal chassis and premium controls
Comes with Akai APC40 edition of Ableton Live Lite, free upgrade patch for full versions of Live
Works with standalone editions of Ableton Live
Works with most MIDI recording, sequencing, and performance software
USB plug-and-play connection for Mac and PC
Premium controller with rugged, metal chassis

Direct Design Because Akai Professional and Ableton designed the APC40 specifically for Ableton Live, you don't need to map its controls to talk to the software. Just connect your laptop to the APC40 via USB--thanks to its plug and play capabilities, you won't need to install any drivers. It comes pre-mapped for instant use with Ableton Live software, so if you're new to it, you'll find using the APC40 to be easy to get around on. And if you're an experienced Live user, you'll be happy to note that you can custom-map every single knob, button, and fader on the APC40 to completely customize the controls for the way you like to work.
Virtual View Because of the bidirectional communication between the APC40 and Ableton Live software, the APC40 can receive feedback from the software and display it on its clip matrix of 40 triggers and on LED rings surrounding each knob. The clip matrix gives you an instant view of clip status: what's loaded, what's playing, and what's being recorded. Each state displays on the matrix in a different color so you can get a quick picture of clip state. You can shift your clip focus and get an overview of the clips you have loaded for your set.
The APC40 has 16 knobs, each surrounded by a ring of LEDs. These LED rings make it easy to see your settings on dark stages, indicating the currently selected parameters' values.
Premium Feel The APC40 is built with a rugged, metal chassis and slip-proof rubber detailing. All of the knobs and faders are solid and precise for pinpoint performance. It even features a high quality, replaceable crossfader for transitioning between clips and loops assigned to "A" or "B."
Creative Control The APC40 comes with Ableton Live Akai Professional APC40 Edition software, which is fully functional for performance and production. Owners of standalone editions of Ableton Live 7 or 8 can also work seamlessly with the APC40. Live 7 with the latest automatic update has full support for the APC40 and all versions of Live 8 are APC40-ready.
The APC40 has two banks of eight knobs. The first set controls Global parameters so you'll always have instant access to your main sends, pans, and other essentials. The second bank of eight knobs is dynamically reassigned to the Track you select. You can control eight track parameters at a time, and as you switch channels, the Track knobs follow your focus. For example, you might be working with the Beat Decoder on track two. When you switch to track four, the eight Track knobs that you had been controlling the Beat Decoder with are now controlling the Flangeverb on track four. You'll even notice that the settings for each knob load on the light rings so you'll immediately see each knob's status.
The APC40 also enables special clip-status views and feedback that only the APC40's matrix can display. The matrix is not limited to only 40 clips: you can scroll and shift, enabling you to access, control, and perform with an unlimited number of cells.
The APC40 has a wide range of controllers. The eight Global knobs can access four banks of controls; the eight Track knobs control nine different track parameters each. This gives you a massive total of 72 controllers that are dynamically reassigned each time you switch tracks. Channel faders, bus faders, and a crossfader give you smooth control of key values. You have even more control power with special controls including Tap Tempo, Tempo Nudge, record enables, solo/cues, and two assignable footswitch inputs.
Specifications
Dimensions: 16.88 x 13.13 x 2.62 inches (WxDxH)
Weight: 5.8 pounds
Power supply: 12V 2.0A pin-positive, included
Communication: USB-MIDI with proprietary hardware/software handshake
Inputs: USB, Two assignable footswitch inputs
Mac system requirements: G4 or faster/Intel Mac recommended, 512 MB RAM/1 GB recommended, OS 10.3.9, 10.4 or later. recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port
PC system requirements: 1.5 GHz or faster, 512 MB RAM/1 GB recommended, Windows XP or Vista, Windows-compatible sound card/ASIO driver support recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port


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Sunday, July 1, 2012

Infrasonic Quartet Pci Aud I/F Review

Infrasonic Quartet Pci Aud I/F
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I purchased this card so I could do 192000 sampling with my Windows 7 64bit Computer. It works perfect and was easy to setup.
The company I bought it from had a great price and shipped promptly.I am very pleased.

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Introducing the Infrasonic Quartet Advanced 4 x 4 I/O recording interface. Infrasonic is a world wide leader in high end recording interfaces for both Mac and PC based systems. The Quartet has the following key features' Total 4 x 4 channel 24-bit/192kHz Audio Interface' V-BalancedTM Driver Technology (IO Changes to 2x2,2x4,4x2 between unbalanced and balanced)' PCI Slot compatibility designed to suit +3.3V and/or +5V PCI slot' Precision low noise Microphone preamplifier with +48V phantom and Low cut' Built-in Selectable Direct Instrument Input' Built-in high quality Dual Headphone amplifier' High quality Audio-Converters and expert analog technology' ADC : 113dB dynamic range (up to 24-bit/192kHz)' DAC : 115dB dynamic range' Hardware mixer for direct monitoring.' Uses Cross-Latch type 1/4" TRS Stereo jack for reliable analog I/O' RCA connector for Coaxial I/O (Support up to 192kHz)' Shutter type optical output jack for S/PDIF output' Supports pass-through AC-3/DTS' Word Clock I/O : Fs / 256*Fs, BNC Connector' FREE Mixer' Virtual Channel Function' Support ASIO2, WDM, DirectSound

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Friday, June 29, 2012

NEW ABLETON LIVE (AUDIO EDITING) STICKER FOR KEYBOARD Review

NEW ABLETON LIVE (AUDIO EDITING) STICKER FOR KEYBOARD
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You don't need stickers for Ableton Live, due to key-mapping!
I dove into computer audio/video recently, buying Ableton Live, Pro Tools, and Sony Vegas. I bought keyboard stickers for all three because I wanted to limit the learning curve and just get going as fast as possible.
I use the Sony Vegas stickers, but NOT THE ABLETON stickers! The reason is, Ableton Live has a key mapping function that is very intuitive to use. It allows you to assign a keyboard button to any on-screen (clickable) function within about 3 seconds: no menus, no data-chart, etc. The letters appear on-screen during mapping mode.
Ableton is a very well designed piece of software. It makes the 'immovable' shortcut keys of other software seem very 20th century. Isn't it ridiculous that as a video or software editor or musician, that you have to "relearn" how to do an edit, even if you've done it for years? (like me)
What would be useful is if someone made stickers that corresponded to the icons within the program, so you could make your own assignments on the keyboard.
I don't know why this item is cross-posted in "Office supplies", "Everything Else", and "Books" as of Wed January 26, 2011. That is why I am cross-posting my review, to save people from buying a basically unnecessary product.
Of the stickers I recevied, a GOOD MANY of them don't seem to work as defined. I think they are probably out of date. This was true of my Sony Vegas stickers as well.

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The Ableton LiveTM stickers can easily transform your standard keyboard into a customised one within minutes, depending on your own need and preference.Due to the Ableton Live's keyboard stickers are ideal for all users, for beginners, professionals. The Ableton Live keyboard stickers are compatible with all default shortcuts in Ableton Live, Live Lite and Live LE as well as all versions of Ableton Live. Therefore, by applying them on your standard keyboard you immediately start editing with Ableton Live.Ableton Live keyboard stickers are designed to improve your productivity and to enjoy your work all the way through. By using Ableton Live stickers your productivity will be increased by 15 - 40 percent, saving your time and money.Stickers are made of high-quality non-transparent matt vinyl, thickness-80mkn.Each sticker is covered with laminate, which guarantees their lifetime durability.Discover the World of perfection and simplicity with our Product.OUR MOTTO IS - QUALITY!The product listed above is copyrighted, has been manufactured and distributed by Royal Galaxy Ltd. Usage of the images posted, distribution or resale has NOT been authorized by Royal Galaxy Ltd, and is in direct violation of its written terms. Federal law provides severe civil and criminal penalties for the unauthorized usage, distribution or resale of copyrighted product, its listings with all imaged posted. For all requests regarding usage of images of this product, its distribution and resale, please contact us by email.

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Saturday, June 23, 2012

Akai MPD26 USB/Midi Pad Controller Review

Akai MPD26 USB/Midi Pad Controller
Average Reviews:

(More customer reviews)
Where to start !
Ok the basics, This product boasts a lot of features, and for anyone who has dreamed of owning an MPC, but cant afford it this is a great alternative.
Straight out of the box this item looks good, its solidly constructed, and just looks cool.
It comes with a copy of Ableton Live LITE, which honestly is not worth using, it is very limited in what you can do and to take advantage of the MPD you really need the features of the full version.
When it comes to installation it couldn't be any easier, plug in the USB cable and away you go, the only other thing you need to do is set up Live or whatever program you are using, its just a case of selecting it from your midi devices section in your program preferences..
Once I had this set up I was already to go, or so i thought, I found that LIVE's preset instruments wern't all that great for the MPD, however after searching on the net i found some cool videos on youtube that show you how to set up preset settings in LIVE which work really well.
The next thing i found was that there was quite some delay when i would hit the pad compared to when i would hear it, which was very annoying, it made trying to time things right near on impossible, after a little more research i found out what the problem was, it is the latency, which is determined mostly by the quality of your sound card and its drivers. There is a fix for this that worked brilliantly on my setup, and on a mates who purchased the MPD 18, you need to download ASIO4ALL a simple google search and you'll find it.. This has got my latency down to near zero and i can no longer feel any delay at all.
Now that I finally have the MPD set up the way i like, and all my little hardware bugs sorted, I love this thing, It's mad addictive, and I find myself getting lost in the mix and time just dissapears.
In conclusion, this product is fan-freakin-tastic... For the price of this compared to the MPC it is definetlly worth it, Although all MPC owners out there will tell you how it is nothing like an MPD, the truth is it does everything an MPC will do but you need the computer set up in a way that allows you to do it... Im sure they will all disagree, I personally think they're just a pissed that they spent so much on something that you can do with the MPD for a fraction of the price.. Obviouslly there is the downside that you cant just pick it up and take it to a gig without having ya pc with ya, but for recording / beatmaking this thing is great.
Although it was a little tricky getting all my presets sorted, once that was done its sweet.

Click Here to see more reviews about: Akai MPD26 USB/Midi Pad Controller


The MPD26 is a MIDI-over-USB pad controller with genuine MPC pads. It's perfect for producers, programmers, musicians and DJs. Its blend of intuitive MPC controls and technologies meshes with easy USB connectivity to bring the feel of classic beat making to the world of computer music production.
A MIDI-over-USB pad controller with genuine MPC pads. Click here for a larger image

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Monday, June 11, 2012

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch Review

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch
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Not only does it controls IPhone synths (Akai, NanoStudio and more to come I hear) but it also controls my IPad via the camera connection kit. I LOVE THIS THING! I was not only able to create some very cool sounds in minutes with the Akai app but also got it layered with the IPAD Korg IMS-20 with some pretty wickedly insane results.
My only gripe so far is with the Iphone app (Akai) some of the buttons on the touch screen are to small and at times unresponsive. Nlog will support the controller soon so that is another great iphone synth that should be fun to play with. I will try Nanostudio and Korg Electribe as well and update the review.

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25-key keyboard controller for iPhone and iPod touch, w/SynthStation Studio App, USB/MIDI, line & phone outs

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Tuesday, May 15, 2012

BRAND NEW NUMARK AXIS9 PRO DJ TABLETOP CD PLAYER (TOP-OF-THE-LINE) BEST PRICE RIGHT HERE Review

BRAND NEW NUMARK AXIS9 PRO DJ TABLETOP CD PLAYER (TOP-OF-THE-LINE) BEST PRICE RIGHT HERE
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Unit is next generation of older Axis 8 that I had used for many years. Axis 9 has more playability and is what I wanted

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THE NUMARK AXIS9 IS A REVOLUTIONARY TABLETOP CD PLAYER. IT HAS AN AMAZING SCRATCH WHEEL THAT IS COMPLETELY TOUCH-SENSITIVE TO INSURE THE BEST RESPONSE. WITH THE DIGITAL MIXING, SCRATCHING, AND A LOT OF AMAZING EFFECTS THAT CAN BE USED AT THE SAME TIME, THIS TABLETOP CD PLAYER IS SIMPLY AMAZING.

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Marathon MA-DNX300 Flight Road Case Review

Marathon MA-DNX300 Flight Road Case
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I bought this case for my Allen & Heath Xone:02 mixer. It's a 10" mixer but rather bulky compared to the denon pictured. I had previously ordered and returned a giant dj coffin from Marathon. The coffin had Velcro and foam so that you could put the foam where you needed to secure your gear.
After I returned the coffin I ordered 2 turntable cases that also featured the Velcro/foam option. I am a bit disappointed that this case has the foam glued in instead of Velcro, meaning I had to cut a good deal of it away to fit my mixer in there. It's not the end of the world but figured I'd share my experience here in case others have the same mixer and are looking for a case to fit it in. I still have some foam cutting to do before it truly fits but I think once it does fit, I'll forget all about the missing Velcro.

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Marathon MA-DNX300 10" mixer case for Denon DN-X300 mixer and other equal size 10" mixers. Produced from high quality materials and made with style and toughness. Case for DNX300 mixer and other brand name mixer cases, comes with adjustable modular foam lining for that right fit and easy access detachable front panel. Prepare for your gig anywhere with outstanding reliability and equipment protection. Specifications: Exterior Dimensions (closed lid ): 12.5" W x 19.6" D x 9.0" H. Interior Dimensions: 8.5" W x 12" D x 2.75" H. Interior Dimensions (Top/Lid): 10" W x 16.5" D x 2.75" H. Weight: 15 lbs. Equipment shown in case not included.

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Tuesday, April 24, 2012

Native Instruments Maschine Groove Production Studio Review

Native Instruments Maschine Groove Production Studio
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This is pretty much the coolest thing ever invented. Does more then stated on the box or the advertising material and is fairly easy to use. At the moment I have this and Traktor (NI's vinyl reproduction software) run through my studio. I create a beat or hook on Maschine upload to Traktor and I have custom vinyl. Seriously, a basic layout could take you 5-10 minutes with Maschine, and a full production could be done in as little as an hour or two (of course that is if you knew exactly what you wanted).
I did a tremendous amount of homework before I bought every piece in my studio and have been doing music (DJ, producing etc..) as a hobby for over twenty years (god I feel old saying that) and this is by far the best purchase I ever made next to my 1200s of course :p
The only "problem" I currently have with Maschine is that recording outside sources doesn't work. I have also never bothered to troubleshoot this, so it might be user error.

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MASCHINE has been upgraded with several new and improved features, making the process of perfecting your beats simpler and smarter. Integrating the flexibility of computer-based music production with the hands-on creative clout of MPC*-style hardware, the upgraded MASCHINE Groove Production Studio is the next step in beat production. Once you touch the hugely playable controller, the slick, intuitive, and immensely fun workflow takes over, allowing you to stay focused on what matters—the groove. MASCHINE's blending of classic feel and cutting-edge makes it the perfect standalone tool whether you are performing at the club or working at home with your DAW. Standalone Groove ProductionIncorporating the iconic strengths of the MPC, including the intuitive pad layout, 16 velocity levels, Note Repeat, and the ability to import MPC files, MASCHINE then breaks free of hardware-only limitations. Its supreme workflow means you can go from a rough sketch to professional production in no time. New Levels of Host IntegrationThe easy-to-arrange sequencer, intuitive sampling, re-sampling, and slicing features, and fully integrated FX and automation keep you on top of your production. Plenty of deluxe sample ammunition is provided via a staggering 6GB of drums, synths, percussion, strings loops, and more, and you can easily hook up your existing gear to MASCHINE—it finds a home in any setup.MASCHINE's immense versatility means it also excels when working with your existing studio set up. Need to freshen up an idea from your DAW? Open MASCHINE inside your project and sequence some beats. Got a good groove flowing in MASCHINE? Drag-and-drop sections, loops or full tracks directly into your DAW as either audio or MIDI. Add professional effects and processing directly from the hardware controller for full control over your sound. Combined with MASCHINE's vast library of kits and loops, many of which have been prepared by renowned beat-makers, artists, and sound designers,

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Thursday, March 29, 2012

Marathon Case To Hold 1x Numark Cd Mix Station Cd Mix 1, 2, 3, Kmx-01, Kmx-02, Ion Cd Mix Stations. And All Other Similar Type - Size Combo Units Review

Marathon Case To Hold 1x Numark Cd Mix Station Cd Mix 1, 2, 3, Kmx-01, Kmx-02, Ion Cd Mix Stations. And All Other Similar Type - Size Combo Units
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Does what it says: protects the mixer, but heavy! I've carried lighter cases before, not sure why this one is such a weight. But good for the price, I'd probably buy it again and just grow some bigger muscles.

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Marathon MA-CDMIX Made from high quality materials with outstanding reliability and all-around protection for your equipment. Case to hold 1 x Numark CD Mix Station CD Mix 1, 2, 3, KMX-01, KMX-02 Karaoke DJ Station. Specifications: MA-CDMIX Exterior Dimensions (closed lid): 23" W X 17" D X 9" H. Interior Depth Dimensions: 18" W X 10" D X 3" H. Weight: 20 lbs. Equipment shown in case not included.

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Monday, March 26, 2012

Marathon MA-TXP Flight Road Case Review

Marathon MA-TXP Flight Road Case
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Get this if you intend to travel with your Xponent. I had initially bought the official Xponent Gig Bag from M-Audio, but found it to be such a ripoff after one use - the material feels cheap and I was constantly worrying about the knobs and switches being knocked out of place. This Marathon case is solidly built, fits the Xponent perfectly, has a removable cover and has a removable front piece and a gap at the back for you to connect your cables and headphones. This way, you can use your Xponent WITHIN the case, keeping your Xponent off the table (in case of spillage). The case comes with two foam cushions, which I presume are meant to cushion the two jog wheels and to hold the Xponent in place when the case is closed. An added benefit is that the plasticky Xponent looks more "professional" when encased in this sturdy set-up - key when you're trying to appear as such in a club setting, in front of a crowd/owner that is used to seeing a DJ with turntables!

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Marathon MA-CKMIX Case to hold 1 x American Audio CK-800 or CK-1000 CD Mix Station. Specifications: Exterior Dimensions (closed lid): 21" W x 16" D x 7.5" H. Weight: 20 lbs. Equipment shown in case not included.

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Saturday, March 24, 2012

Allen & Heath Xone 4D Review

Allen and Heath Xone 4D
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Dont look futher this is it. The ONE, hast it all, ofcourse at a price tag almost twice a DJm-800...

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The new model from Allen & Heath Xone series is a USB mixer with a new soundcard that includes the same features than the Xone:3D but with some interesting news like multi-track recording, running 4 simultaneous decks in Native Instruments Traktor or, like a lot of people requested, panels that can be read in very low light using a ultra violet sensitive paint.The specifications Allen & Heath Xone:4D Mixer are 24-bit audio resolution and 96 kHz sampling rate, 8 different setups for the USB soundcard (that removes the need of using the computer software utility like the Xone:3D model), 225 assignable MIDI controls, real-time LFO waveform edit function, 4 stereo and digital outputs and 4 stereo and digital inputs and FX2 RCA sockets that can be converted to recording outputs.This mixer works with both PC and Mac and could be a very interesting tool for DJs.# Actual Shipping Weight 25 lbs.

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Saturday, March 10, 2012

Brand New Rane Sixty-eight USB Dj Mixer with Ability to Connect Two Computer Via Scratchlive for Seamless Transition Between Dj's Review

Brand New Rane Sixty-eight USB Dj Mixer with Ability to Connect Two Computer Via Scratchlive for Seamless Transition Between Dj's
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The rane sixty eight was made to supersede the pioneer DJM800. This mixer can support two laptops and plugs in USB and is pre mapped to enjoy without having to midi map and waist time. Download SSL and plug and play. The sixty eight has all of the great effects that we have grown to love such as phaser echo and flanger. The Rane Sixty Eight has stepped up the game and is creeping up as a new club standard. Pioneer will now be kept on it's toes to compete with this mixer. Thank you once again Rane for making an awesome product for DJ's to enjoy around the world.

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Brand new Rane Sixty-Eight USB DJ mixer with ability to connect two computer via ScratchLive for seamless transition between DJ'sFeatures:Two independent USB 2.0 High Speed ports, each supporting twenty-two, 32-bit floating-point audio channels at 48 kHz.Real-time support for two computers.Support for 2, 3 or 4 Virtual Decks on one or two computers.Direct control of over 30 Scratch Live Library, Cue and Loop functions. Unique FlexFx bus: Process a sub-mix of up to six audio channels.Six internal effects with seamless on-beat switching between effects.External analog insert support for legacy hardware effects.USB insert support for computer-based effects.Four full-featured input channels: Four stereo Phono/CD inputs of Line, Phono or S/PDIF.Four stereo auxiliary inputs.Four stereo USB playback options. Two mic inputs: one with phantom power and one with line-level.3-band full-cut EQ, plus new High-pass / Low-pass Filter.Flexible USB recording options, record from any PGM or output.Internal universal switching power supply (100-230 VAC)

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Thursday, February 23, 2012

Akai MPD32 USB/Midi MPC Pad Controller Review

Akai MPD32 USB/Midi MPC Pad Controller
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After I upgraded to a laptop with Windows Vista, I was on the hunt for a new MIDI controller. I was using an Akai MPD16 but after several failed installs on my Vista laptop, I found out that Akai decided not to make a Vista driver for my antiquated hardware. At first, I was a bit angry that my equipment that I've been using for a long time with Windows XP no longer worked. But then the prospect of getting new gear calmed me down.
All I really wanted was a pad controller with MPC style pads and a "note repeat" function. I researched several pad controllers: M-Audio Trigger Finger, Akai MPD24, and Korg padKONTROL. I also gave Akai's new MIDI keyboard, the MPK49, serious consideration since it has 12 MPC style pads. After much debate, and plenty of time spent watching demos of each product on YouTube, I finally placed a pre-order for an Akai MPD32.
It arrived a couple months later and it was plenty worth the wait and money. The first thing I noticed is that the MPD32 is large, much larger than my previous MPD. Its footprint is a bit bigger than my 15.4" laptop. The next thing I noticed is that it's built solid. All of the knobs, faders and pads feel great. These pads are the same pads that are used on the MPC2500. The only criticism I have for the pads would be with the sensors. Akai uses a round sensor under the pad so not all of pad surface is usable, unlike the Korg padKontrol which uses a square sensor for its pads. But this is not a deal breaker for me.
The MPD32 comes with presets for many popular music production programs (e.g. Live, Reason, FL Studio, Cubase, etc.) Personally, I use Reason 4.0 and Live 7. The presets for Reason work perfectly. The 8 knobs and faders are easily assignable to manipulate filters and effects within Reason.
For me, the MPD32 is perfect. If you're in need of a MIDI controller with MPC pads for your DAW, look no further.
Products Referenced:
Akai MPD16 USB/MIDI Pad Controller
M-Audio Trigger Finger Drum Pad Control Surface
Akai MPD24 USB/MIDI Pad Controller
Korg PADCONTROL KORG USB DRUM PAD CONTROLLER
Akai MPK49 Keyboard Controller
Akai MPC2500 Music Production Center

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The MPD32 is Akai Professional's ultimate velocity-sensitive pad controller for musicians and DJs. Modeled after the industry-standard MPC series, the MPD32 delivers the most expressive software beat control available.Sixteen velocity and pressure-sensitive genuine MPC pads provide the industry's finest feel and expression. Four selectable pad banks for a total of 64 playable pads, eight assignable faders, eight assignable switches and eight assignable, 360� knobs for transmitting MIDI Control Change data, all combine for unprecedented creative freedom. Three selectable control banks extend the number of available faders, buttons and knobs to 24 each. Two assignable footswitch inputs and an expression pedal input takes the total assignable controller count to 75 – the most by far in any pad controller.The MPD32 also features transport controls for interfacing with DAW/sequencing applications. The MPD32 is a fully programmable controller and multi-functional control surface that fits perfectly within any production or performance environment.

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Sunday, February 5, 2012

Decksaver Protective Cover for Vestax VCI300 (Clear) Review

Decksaver Protective Cover for Vestax VCI300 (Clear)
Average Reviews:

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Great cover, excellent protection for keeping dust off your controller @ home. I'm pretty certain if a drink was spilled on the VCI while this cover was on, it would protect it from any serious damage. The plastic is approx 1/8th inch thick and seems very durable, I would liken it to the same plastic used in the popular Nalgene water bottles.
I would purchase Decksaver products again, and will recommend it to my friends.
I hope they make a small cover for the Vestax VFX-1, effects module.

Click Here to see more reviews about: Decksaver Protective Cover for Vestax VCI300 (Clear)

The club environment can be harsh, with smoke, dust and sticky liquids being daily hazards for DJs and club owners to keep in check. Decksavers are specifically designed to keep your technology investment safe and sound.Decksaver covers are tailor-made to exacting standards to fit the Vestax VCI300 like a glove. Rather than using cheaper inferior acrylic, each one is made from Polycarbonate - a very hardwearing plastic used in bullet proof glass - and made to fit your gear as closely as possible. The use of Polycarbonate means that thinner material can be used, making for discrete, strong yet attractive protection for your Vestax units. Indeed, great care is taken to trim each Decksaver to achieve the best fit and still leave cables in place.

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Monday, January 30, 2012

Decksaver Protective Cover for Vestax VCI100 (Clear) Review

Decksaver Protective Cover for Vestax VCI100 (Clear)
Average Reviews:

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Not as good as a flight case, but definitely protects those knobs and faders! It's a little heavy, but so is the controller.

Click Here to see more reviews about: Decksaver Protective Cover for Vestax VCI100 (Clear)

The club environment can be harsh, with smoke, dust and sticky liquids being daily hazards for DJs and club owners to keep in check. Decksavers are specifically designed to keep your technology investment safe and sound.Decksaver covers are tailor-made to exacting standards to fit the Vestax VCI100 like a glove. Rather than using cheaper inferior acrylic, each one is made from Polycarbonate - a very hardwearing plastic used in bullet proof glass - and made to fit your gear as closely as possible. The use of Polycarbonate means that thinner material can be used, making for discrete, strong yet attractive protection for your Vestax units. Indeed, great care is taken to trim each Decksaver to achieve the best fit and still leave cables in place.

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Sunday, January 29, 2012

Akai Pro MPD18 Compact Pad Controller Review

Akai Pro MPD18 Compact Pad Controller
Average Reviews:

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Just started messing around with beats. This thing is awesome and crazy affordable. Im not to the point where I can justify spending the money for the MPC's and such so this was right up my alley and does everything I need for my level of music production. Was a little difficult to set up and assign samples to pads at first cause the instructions are minimal at best, after a bunch of trial and error and youtube tutorials I was able to figure it out for the most part.

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The MPD18 is the easiest way to add genuine MPC pads to your setup. This MIDI-over-USB pad controller for DJs, programmers, producers, and other musicians is built around the pads and controls from Akai Professional's industry-standard MPC series. The MPD18 is an expressive and intuitive instrument for the studio and stage. The MPD18 is built around the pads of the industry-standard MPC and contains some of the same technology that gives tracks made with the MPC an unmistakably human feel. The MPD18 is an expressive and intuitive controller for the studio and stage, and its compact footprint is easy to fit into any setup. When combined with virtually any MIDI software, the MPD18 delivers everything needed to create tracks that feel great.The heart of the MPD18 is its bank of 16 velocity and pressure-sensitive MPC pads, an Akai Pro exclusive. You can access three different banks of sounds from the MPC pads for a total of 48 sounds at your fingertips. The MPD18 also borrows the MPC series' assignable Q-Link controllers, enabling you to control nearly any parameters in your software in real time. You get an assignable Q-Link fader for natural, hands-on control of your most-used parameters, and MPC Note Repeat enables you to quickly input patterns such as hi-hat parts or drum rolls. The MPD18 also has 16 configurable presets so you can program it for the way you work with different hardware and software. The MPD18 sends MIDI information over its plug-and-play USB interface so you can use it with your Mac or PC without installing any drivers. The USB connection even powers the MPD18 so the included USB cable is all you need for portable production. The MPD18 can control nearly any MIDI software, as well as MIDI hardware, such as synths, sound modules, samplers, sequencers, drum machines, and more.The MPD18 gives you the control feel of the MPC in a super-portable instrument with a compact footprint that's easy to fit in any setup.

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Thursday, January 5, 2012

Akai APC20 Compact Ableton Controller Review

Akai APC20 Compact Ableton Controller
Average Reviews:

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When I first saw a DJ at the San Diego Media Arts Center using this thing at a laptop jam, I thought it was incredible... but when he told me the price he paid on Amazon I thought it was doubly incredible. If you already have Live, the APC20 is a bargain by itself. But if you don't have Live, this package is TRIPLY icredible since it comes with an almost fully functional version (much more functional than standard Live Lite) thus saving you hundreds of bucks! I think the software alone would be worth the price for someone like me... a dabbler without deep pockets.
Caveats & Quibbles
I run XP and had trouble with drivers, but I got a quick helpful response from Akai support. I also had some VST plug-in hangups. They seemed to resolve themselves when I uninstalled and reinstalled. If that doesn't work for you, finding which plug-in is causing the problem can be tedious.
The included USB wire was kinda short (maybe 3 feet). And the USB doesn't power the APC20; you need to plug in an additional wire to a power source.
The biggest potential problem... once you fire up this sucker you can kiss normal life good-bye. You'll be lost for hours playing with infinite push-button permutations of polyphonic pow-ah!

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Ableton Live software is a powerful, flexible environment for creating, performing, and producing music. This unique software demands an equally unique control instrument. Akai Professional and Ableton are proud to present the APC20 compact professional Ableton Live performance controller. The APC20 transforms your Ableton Live experience from constructing tracks on a computer to fluid, musical creation. The second model in the APC series, the APC20 offers a smaller footprint than the APC40, enabling musicians to more easily create a personalized setup with multiple APCs, effects controllers, and other devices.The APC20 is the link between human and computer that perfectly balances analytical parameter control with creative expression. Whether you are an electronic music artist and Live is your canvas, a DJ using Live to mix or remix tracks, or a more traditional musician using Live on stage or in the studio, you will find the APC20 to the intuitive, powerful instrument that directly links your inspiration with Ableton Live.INSTANT PERFORMANCEBecause Akai Professional and Ableton designed the APC20 specifically for Ableton Live, you don’t need to map its controls to talk to the software. Just connect your laptop to the APC20 via USB and you're ready to make magic. The APC20 is plug and play, so you don't need to install drivers. First-time setup is literally three steps: load the included Ableton Live software, plug in and power up your APC20, and select the APC20 as Ableton Live's controller. That's it. No mapping, no setup, no hassles.The APC20 comes pre-mapped for instant use with Ableton Live software, so if you're new to it, you'll find using the APC20 to be easy to get around on. And if you’re an experienced Live user, you'll be happy to note that you can custom-map every single button and fader on the APC20 to completely customize the controls for the way you like to work.VISUAL FEEDBACKThe APC20 talks directly to Ableton Live, and Live talks directly to the APC20. This bidirectional communication makes the APC20 an advanced controller in that it can receive feedback from the software and display it on its Clip Launch matrix. The Clip Matrix gives you an instant view of clip status: what's loaded, what's playing, and what's being recorded. Each state displays in the grid in a different color so you can get a quick picture of clip state. You can shift your clip focus and get an overview of the clips you have loaded for your set. PROFESSIONAL CONSTRUCTIONAbleton selected Akai Professional as its partner in developing the APC20 because of Akai Pro's leadership position in great-feeling controllers that are rock solid, rugged, and precise. From the legendary MPC series that changed the way music is made to the industry-standard MPD and MPK controllers, Akai Professional is revered by musicians, DJs, and producers everywhere for creating the feel that powers their creativity. The APC20 is built with a rugged, metal chassis and slip-proof rubber detailing. There’s no flimsy plastic here. Faders are solid and precise for pinpoint performance. CREATIVE CONTROLThe APC20 comes with Ableton Live Akai Professional APC Edition software, which is fully functional for performance and production. Owners of the standalone edition of Ableton Live 8 can also work seamlessly with the APC20. Live 8 has full support for the APC20.The APC20 also enables special clip-status views and feedback that only the APC20's matrix can display. The matrix is not limited to only 40 clips: you can scroll and shift, enabling you to access, control, and perform with an unlimited number of cells.The APC20 has nine faders, which you can assign to volume control, pan, sends, and a choice of three user-mapped modes. You have even more control power with special controls including Tap Tempo, Tempo Nudge, record enables, and solo/cues. A new User Mode enables you to use the Clip Launch buttons to control instruments and the Drum Rack.Designed in partnership with Ableton, the APC20 is the ideal controller for performers who like to perform in a small amount of space for maximum portability. It’s also perfect for players who want to combine multiple controllers in their setup thanks to its small footprint. Don’t settle for cheap, plastic imitations. From the company whose name is synonymous with the word production, the APC20 is the serious choice. MINIMUM SYSTEM REQUIREMENTSMac: G4 / Intel recommended,OS X 10.3.9 / 10.4+ recommended PC: 1.5GHz, Windows XP or Vista,Windows-compatible sound card / ASIO driver support recommended512MBRAM / 1GB recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port

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