Showing posts with label synthesizer. Show all posts
Showing posts with label synthesizer. Show all posts

Friday, June 29, 2012

NEW ABLETON LIVE (AUDIO EDITING) STICKER FOR KEYBOARD Review

NEW ABLETON LIVE (AUDIO EDITING) STICKER FOR KEYBOARD
Average Reviews:

(More customer reviews)
You don't need stickers for Ableton Live, due to key-mapping!
I dove into computer audio/video recently, buying Ableton Live, Pro Tools, and Sony Vegas. I bought keyboard stickers for all three because I wanted to limit the learning curve and just get going as fast as possible.
I use the Sony Vegas stickers, but NOT THE ABLETON stickers! The reason is, Ableton Live has a key mapping function that is very intuitive to use. It allows you to assign a keyboard button to any on-screen (clickable) function within about 3 seconds: no menus, no data-chart, etc. The letters appear on-screen during mapping mode.
Ableton is a very well designed piece of software. It makes the 'immovable' shortcut keys of other software seem very 20th century. Isn't it ridiculous that as a video or software editor or musician, that you have to "relearn" how to do an edit, even if you've done it for years? (like me)
What would be useful is if someone made stickers that corresponded to the icons within the program, so you could make your own assignments on the keyboard.
I don't know why this item is cross-posted in "Office supplies", "Everything Else", and "Books" as of Wed January 26, 2011. That is why I am cross-posting my review, to save people from buying a basically unnecessary product.
Of the stickers I recevied, a GOOD MANY of them don't seem to work as defined. I think they are probably out of date. This was true of my Sony Vegas stickers as well.

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The Ableton LiveTM stickers can easily transform your standard keyboard into a customised one within minutes, depending on your own need and preference.Due to the Ableton Live's keyboard stickers are ideal for all users, for beginners, professionals. The Ableton Live keyboard stickers are compatible with all default shortcuts in Ableton Live, Live Lite and Live LE as well as all versions of Ableton Live. Therefore, by applying them on your standard keyboard you immediately start editing with Ableton Live.Ableton Live keyboard stickers are designed to improve your productivity and to enjoy your work all the way through. By using Ableton Live stickers your productivity will be increased by 15 - 40 percent, saving your time and money.Stickers are made of high-quality non-transparent matt vinyl, thickness-80mkn.Each sticker is covered with laminate, which guarantees their lifetime durability.Discover the World of perfection and simplicity with our Product.OUR MOTTO IS - QUALITY!The product listed above is copyrighted, has been manufactured and distributed by Royal Galaxy Ltd. Usage of the images posted, distribution or resale has NOT been authorized by Royal Galaxy Ltd, and is in direct violation of its written terms. Federal law provides severe civil and criminal penalties for the unauthorized usage, distribution or resale of copyrighted product, its listings with all imaged posted. For all requests regarding usage of images of this product, its distribution and resale, please contact us by email.

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Friday, June 15, 2012

Korg Kaossilator Pro Tabletop Synthesizer Review

Korg Kaossilator Pro Tabletop Synthesizer
Average Reviews:

(More customer reviews)
Like another reviewer here at Amazon, I also got the original kaossilator a couple of years ago and started to spend a lot of time with it. I was reading an article named "Make Music Now" on a magazine related to electronic and computer music when I first learned about the kaossilator. I'm not a musician and, for many reasons, I never allowed myself to learn music. I always had a passion for music, specially with lots of synths like Tangerine Dream, Mike Oldfield, Airsculpture, RedShift, FSOL, Vangelis, Synergy, Passport, Jean-Luc Ponty, etc, etc. I have always been a passive listener, until now.When the new kaossilator pro came out I went right away to the youtube website to watch all those people showing their experiences and amazing creativity about this new musical instrument from Korg. Few months later I got my kaossilator pro.Both devices (Kaossilator and Kaossilator Pro) definitely are not toys. They are a very powerful, dynamic and portable musical instruments. As with every musical instrument they have their pros and cons. If you really want to learn more about these two devices go to the net and watch others about what they are doing with them (for all kinds of music). Those people have been like teachers to me.Making my own music is my new hobby. I have been doing this for a couple of years and my family, relatives, and friends have been pushing me to "release" an album. I have had released only one single with the main purpose to understand the whole production process. It is a very simple and very very inexpensive process to release digital music. I did a promise to myself about learning a little bit of formal music before releasing a complete album.Please do a search for "echoes from kiwi" here at amazon.com. That music was done using an iphone, the original kaossilaor, and the kaossilator pro. Again, the main purpose of "echoes from kiwi" is to demonstrate how easy is to create music using a very small and relatively inexpensive musical instruments and a computer.If you, like me, want to start creating your own music and have lots of fun, the kaossilator pro can be your first musical instrument. I bet you will master it in no time.Thank you for reading my review.
Eduardo Nava.

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The korg kaossilator pro dynamic phrase synthesizer is the supercharged version of the palm-sized kaossilator. the kaossilator pro was reborn as a powerful track-making tool and loaded with live performance power. it creates spontaneous changes that were difficult to produce in the past. not any longer with the korg kaossilator pro dynamic phrase synthesizer.as a trailblazer among the "instrumental gadgets" that allowed anyone to easily create melodies and phrases, the kaossilator gained a strong and dedicated user base, even among those without any performing experience. today, the kaossilator continues to be enormously popular. retaining these revolutionary features – while adding a wide variety of new ones as well – is the kaossilator pro. with 200 sound programs, a new electribe-inspired gate arpeggiator, and four loop recording banks that can even record external audio sources, the kaossilator pro is packed with features that make it ideal for both live performance and premium productions. in addition, usb connectivity with your computer and sd card memory storage allow the kaossilator pro to be used not just for improvised performances, but also as a superbly intuitive, track-making music production tool.using touchpad is highly intuitive – simply rub, stroke, or tap it to instantly create complex phrases with a single finger. responding instantly to these gestures, the kaossilator pro creates spontaneous changes that were difficult to produce on synthesizers of the past. horizontal motions control the pitch, while the vertical axis can control tone parameters such as cutoff, feedback, or modulation depth. this makes it easy for anyone to create entirely original sounds and musical phrases.

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Monday, June 11, 2012

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch Review

Akai SYNTHSTATION25 25-Key Keyboard Controller For Iphone And Ipod Touch
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Not only does it controls IPhone synths (Akai, NanoStudio and more to come I hear) but it also controls my IPad via the camera connection kit. I LOVE THIS THING! I was not only able to create some very cool sounds in minutes with the Akai app but also got it layered with the IPAD Korg IMS-20 with some pretty wickedly insane results.
My only gripe so far is with the Iphone app (Akai) some of the buttons on the touch screen are to small and at times unresponsive. Nlog will support the controller soon so that is another great iphone synth that should be fun to play with. I will try Nanostudio and Korg Electribe as well and update the review.

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25-key keyboard controller for iPhone and iPod touch, w/SynthStation Studio App, USB/MIDI, line & phone outs

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Tuesday, March 6, 2012

Korg microSAMPLER Sampling Keyboard Review

Korg microSAMPLER Sampling Keyboard
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(More customer reviews)
This sampler is the music tool I have been waiting for. finally a keyboard style sampler that you can bring anywhere and capture anything, no matter what style music you are into its a great tool for composing exactly what you want, I havent used it in a live situation yet, but it has been a great tool in my studio. Can't beat the price either.

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Korg microSAMPLER Sampling Keyboard; Delivers multi-mode sampling, resampling, Pattern Sequencing and over-the-top effects – and all under a fun-to-use intuitive interface.The latest addition to the Korg micro series serves up sampling with a powerful performance punch! More than just a sampler, the microSAMPLER is a complete sound design studio for creating up-to-the minute loops and phrases.The microSAMPLER hosts a solid complement of top-end sampling features to expand your creative potential. This full-fledged instrument offers fourteen-voice polyphony, reverse playback, editing operations such as Normalize and Truncate, and a Time Stretch feature that lets you change the tempo without affecting the pitch. Selectable sample rates of 48 kHz, 24 kHz, 12 kHz, and down to 6 kHz let you sample at rates beyond CD clarity or add in that Lo-Fi vintage vibe. Each bank contains 36 samples (a maximum of approximately 160 seconds of recording time for monaural samples at a 48 kHz sampling rate) and sixteen patterns of sequence data; the microSAMPLER lets you store eight such banks in internal memory. The Keyboard mode takes a single sample and assigns it chromatically across the keys for instant playability. With its recessed controls, bright LEDs and informative display, the microSAMPLER is fun to use and easy to operate – for beginners or seasoned pros.Too many instruments simply offer sampling as an added feature. The microSAMPLER is all about sampling, in every creative form. Five distinct sampling methods allow you to work the way you want, to get the results you need. The microSAMPLER offers traditional One-Shot and Loop sampling, plus a number of creative sampling modes – Loop, Key Gate and Auto-Next. When it comes to sampling, the microSAMPLER has it all.

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Tuesday, February 7, 2012

Korg MONOTRON 16-Key Synthesizer Review

Korg MONOTRON 16-Key Synthesizer
Average Reviews:

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This is a great little item.
First of all, it's just a lot of fun to use. It very well might be the funnest and most carefree synth of I've ever used. Second, for the size and features, it's just a great value--the filter is awesome, and the type of sound you can get out of this little thing is very surprising.
Now, the onboard speaker output can be a bit noisy; however, it isn't bad, and it's very easy to get around that and keep a good quality sound by using aux. input and output with an audio interface (I'm using the Focusrite Saffire Pro 24 DSP), just make sure you get the proper cables and adapters and use it as a line input. The aux. input is a great feature, letting you route audio into the unit to make use of the filter--I imagine this is what many people will use this for. Also, the unit is great for circuit bending (see youtube...) and is quite an adaptable machine (and at this price, you can afford to make a mistake during a hack, although with how quickly they sell, it may be a bit before you can get a replacement...).
Now, since it is a ribbon controller, it's best suited for glissandos and fx, not really for melody--however, it can be great for a bass part. Add external fx processing (delay lines, reverb, and granular synthesis are especially fun) and you start to see what a little beast this thing is.
Get one. And then a second.

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Powered by two alkaline aaa batteries, the compact monotron can be held in one hand. although small enough to easily carry with you, the amazing monotron is packed with korg's legendary analog technology, generating thick and powerful sounds. concentrating on the most important sound parameters, the controls have been streamlined as much as possible. the panel contains only five knobs and one switch. with this level of simplicity, now anyone can easily enjoy the world of analog synthesizers.borrowing the enjoyment of performing with a simple touch from korg's wildly popular kaoss products, the monotron's ribbon controller keyboard takes this ease of use even farther. simple finger gestures can produce expressive effects such as vibrato and glide.the monotron's circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. since each knob directly applies a specific change to the sound, the process of sound creation is intuitive, and instantly understandable. the monotron encourages exploration and experimentation, and provides the joy of sonic creativity that's at the heart of analog synthesis. the monotron uses the same highly acclaimed vcf circuit as korg's classic ms-10 and ms-20 semi modular synthesizers. originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. the vcf cutoff knob sets the frequency or tone of the filter; the vcf peak knob adds emphasis. a powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

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Monday, October 31, 2011

Korg Kaossilator Dynamic Phrase Synthesizer Review

Korg Kaossilator Dynamic Phrase Synthesizer
Average Reviews:

(More customer reviews)
Ok, so this thing is kind of a toy, but my oh my, what a toy it is. I'm absolutely in love with. I'm kind of an acoustic musician. I play acoustic guitar (don't even own an electric) and upright bass, and any other box of sound I can get my hands on. Most synths and whatnot never seemed worth my money. I saw this little guy when I went searching for something I could use with special-needs students. I wanted something you could produce sound on without needing to know anything about playing an instrument. The price was right, so I got it, and the kids have loved it. I first thought it was a nice toy for the classroom, but then I started practicing on it myself, and I just couldn't believe how involved you can get with it. Once you unlock the little loop extender (from 8 beats to 16- you can find the trick on Korg's website) you can really get inventive. Anyway, for those thinking about it, whether or not you're experienced in music, it's a whole lot of fun and it can be very expressive. I'm feeling like I'm getting solid enough at it that I'm going to hook it up to a PA and play with a jam band. I'm even trying to scrap some cash together to get the KORG KAOSS Pad Dynamic Effects Processor so I can really get lost. You can hook the yellow guy into the red guy and get a whole new level of groove. Here are my pros and cons that might help you decide if it's for you...
PROS)
1)With the arpeggiator and the 16 beat code, mixed with sound effect parameters, you can find nearly endless amounts of new rythms to work with. If you feel like you hit the end of what you can do on it, you are just on a temporary plateau; more will come.
2) With some fancy rechargable batteries, this thing seems to just go on and on. It's so portable, I have it on me nearly at all times. I look like a geek with my studio headphones on tripping out on a campus bench all by myself, but I'm already married with a kid, so I'm more interested in my groove then looking cool.
3) With a little work, it's practically the easiest drum machine out there. You have some limits on actual drum sounds, but it is just so easy to set a groove, put it down, and pick up another instrument to play along with.
4)It's very versatile and intuitive to use. My students, who are fairly low functioning, have a great time playing along, and even my two year old likes tapping on the trackpad to a beat. It's fun for most folks.
5) The versatility of the programmed scales, ranging from arabic and mixolodeian to ragas and dorian, seem to express any, and I mean any emotion you want it to emit. With some practice, you can seemingly get any hard-to-express scence. It's like painting pastoral scences across the cultures of the world with your index finger. It's like Bob Ross' and Rick Steves' impossible love child singing you to sleep every night. (please, somebody get that joke).
Ok, now the CONS
1) The 100 loops and sounds programmed on here are mostly aggresive dance kind of sounds. I'm a ambient kind of guy, and like I said before, I like my acoustic sounds. They're are hardly any great acoustic sounds on here, and if I could reprogram it a little, I'd put on some Mellotron sounds, like flute and strings, and other more organic stuff. The strings and whatnot on here are pretty cheesy. The piano ain't bad, though, and that gets points.
2) You CANNOT program anything onto it. You got your 100 sounds and that's it. It gives the K it's own signature sound, which is fine because it's cheap and kind of a toy. If I could have uploaded new sounds or samples, I would have peed my pants with excitement. Unfortunately, I sit here continent and limited.
3) This last one is my biggest complaint, and it would have been great if Korg had thought this out. It's a small thing, too Maybe they'll read this, see my genius, and send me a corrected version of their device.
This "small thing" it lacks is the only thing that makes this device a toy for me. Otherwise I would have considered it the neatest gizmo ever. You CANNOT adjust the volume of individual sounds in your loop. Say you lay a fat drum beat and a chunky bass line. You go over to the sound effect pad to add a little hiss or sizzle, or over to the chunky lead synth pads to add a hint of a melody in the background. Often times, there is no putting it in the background. You're stuck with the volume that goes in. The Korg folks boast that you can just keep adding stuff, but I've found after 4 or 5 elements, you get really noisy loops really fast. I would have liked another button that would have let you adjust the master volume of any sound you were adding. The way around this is to use a multitrack recorder and set your loops up into that, but now your portability is gone, not to mention that instantneous groove element. Even if your multitrack is a small one, now you're running wires instead of just your headphones.
Otherwise, I think of this yellow box like the Game Boy invented for music geeks like me. It's really nice, and in the two months I've had it, it's been a nice retreat from my daily grind.
Hope this helps!

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Meet your new musical addiction: the KAOSSILATOR from Korg. Play it alone or add it to your rig for over-the-top, music-making mayhem. The KAOSSILATOR's user-friendly touch-pad lets you create musical and rhythmic phrases using any of its 100 synth programs, such as leads, basses, realistic instrument sounds, playable drums and drum patterns. Each time you add a phrase, KAOSSILATOR stacks it on top of the previous phrases you created. The results are as simple--or complex--as you desire. Choose from the 31 available scales, and play in any key. Lay down your groove with any 50 gate-arpeggiator patterns for even more KAOSS! The portable, travel-friendly KAOSSILATOR runs on batteries or a 4.5v adapter. Use the it as a multi-instrumental musical instrument, sample source, live rig addition, or just a fun way to get your groove on!

100 Playable Synth ProgramsThe KAOSSILATOR offers 100 unique patches for you to play, from nautral instruments to synth basses and leads, including ten drum patterns and 31 musical patterns. Sounds include:
Preset drum/bass grooves with flexible effects
Fat synth lead sounds
Acoustic instruments like trumpet, digeridoo, sitar, and more
Tap-able drum voices
Extra thick and juicy basses
Complete chords with filters and other effects
Space-age sound effects to send your loop beyond the cosmos

Innovative Touch-Pad ControlThis is what defines Korg's entire KAOSS PAD/KAOSSILATOR series, and what made 'em such a hit. You play the KAOSSILATOR by moving your finger around on (or tapping on) the touchpad, thereby controlling the sound. The parameters controlled by the X axis and Y axis depend on the preset (for example, a bass synth might feature pitch along the X axis and filter resonance along the Y axis).
Scale/Key ControlsIt may not have keys, but the Kaossilator can still play a hook. It lets you control a full two octaves of notes just by touching the pad. To make sure you're playing in the same mode as everyone else, you can choose what kind of scale to use, from 31 different options. You can also set the root note, including flats and sharps, so you're always in tune no matter how wacked out you get on the effects.
Adjustable BPM and Gated ArpeggiatorTo get the beat to your desired BPM, you can select a normal MIDI tempo or enter a tap tempo with your finger. The built-in Gate Arpeggiator repeatedly triggers sounds in sync with the tempo. The slider controls either the gate time or gate speed. 50 different gated arpeggiator types are included.
Loop (Phrase) RecordingThe KAOSSILATOR can record and playback phrases and patterns that you play on the touch pad--loop style. During playback, you can play along. You can even add another layer to the loop recording. This process can be repeated, adding several new layers. Recorded phrases can be up to 8 beats (2 bars of 4/4) in length.
Portable KAOSSCreate some chaos anywhere you go. The KAOSSILATOR is eminently portable, weighing in at 5.43 oz without batteries, and with dimensions of 4.17 x 5.08 x 1.14 inches. It's powered with four AA batteries, for up to about five hours of operation. You can also snag an optional AC adapter for plugging it in.
RCA/Headphone OutputsThe KAOSSILATOR features a dual RCA stereo line out, for quick connection to mixers or interfaces, and a mini headphone out, for using on the go.
What's in the BoxOwner's Manual, parameter sheet, four AA "test" batteries

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