PreSonus FireStudio Tube 16x8 FireWire Recording Interface Review

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(More customer reviews)In an attempt to streamline my home studio a bit and replace a fritzy Alesis IO-14 audio interface (don't buy! bad quality!) I bought the PreSonus FireStudio Tube (PFT) for the higher quality preamps on the two SuperChannels. Moving slowly from a more MIDI/hardware based synth studio, I've started using more softsynths and doing more miked recording (vocals, acoustic guitar, various percussion). BUT, I still have a few analog synths and modules that frequently get pulled into the mix (love that zero-latency!), and I envisioned keeping at least 3 pieces of hardware directly plugged into the 6 line-inputs on the back of the PFT to call up when needed.
In total the PFT has 2 "SuperChannel" inputs (good for mic or instrument level), 8 XLR mic inputs, and 6 quarter-inch/line-in inputs, supposedly good for plugging in line-level devices like synths, drums machines, mixer inputs, etc. To control all those inputs, PreSonus provides some mixing software that decently lets you monitor and adjust input levels where needed.
Soooo...I removed a big mixer that was taking up desk space, screwed the PFT into my rack, and moved the small, 12-unit rack to the desk space formerly occupied by the mixer. I then plugged 3 synths into the PFT and started recording in Sonar.
And THAT'S when I realized something was wrong. I have a Yamaha Motif Rack that I usually use to set-up some basic elements for song writing, and I tried recording the inputs from a keys/drum/bass mix, but the meters barely registered. I thought maybe I had something connected or adjusted incorrectly. I cranked input levels in the PreSonus mixing software, maxed the MIDI-volume to 127 for each of the parts, cranked the master volume on the Motif Rack, and STILL was just barely getting little bumps on the recorded clip graphics.
Frustrated, I decided to hit the PreSonus Forums on the internet and discovered this is a known problem. The line inputs for the PFT are just...incredibly...QUIET! Someone in the forum suggested you have to use pro-level gear that outputs a min of +4db. So I checked my Motif Rack and discovered it outputs at +6db...more than hot enough of a signal. More than a year ago, one of the PreSonus techs stated on the forum he would ask if the problem could be fixed in any of the upgrades, but so far, it hasn't. And the fact it has been a known problem for well over 2 years would indicate they either CAN'T fix it, or have no interest to. Other two suggested work-arounds (from PreSonus techs, no less) were to use the 2 "SuperChannels" on the front of the unit ("but be really careful with your input levels...you could damage the mic-pres" they said) or getting quarter-inch to XLR adapted cables and use the mic-pres on the back of the unit, again suggesting to be VERY careful because they weren't intended for line-input level devices but "should work if the levels were kept low". Lastly, several other users of the device stated if you use a preamp with your hardware (like my powered mixer I had put away), you can drive the levels loud enough to make the line-inputs usable and to more easily record with them. Yeah, getting back out my mixer really helps my whole studio-stream-lining effort, eh?
WTFO? PreSonus' OWN techs are giving scotch tape, work-around solutions to a real problem. Wow...thanks for the massive assist and attentive customer support.
BUT...all in all, the REST of this unit is pretty decent (hey, I'm a fair-minded person!). If you don't need the 6 line-level inputs or you DO have equipment that outputs REALLY hot (my unusually "loudest-of-the-bunch-of-synths" Alesis A6 is the only piece of hardware I've found that pumps enough power to be plugged, unassisted, into the line-ins), then this might work for you. The "SuperChannels" really are super, and best of all, the copy of PreSonus' "StudioOne Artist" DAW software that comes with the device might actually give Sonar a run for its money (for me anyway). But for the money, I've basically bought 2 really good "SuperChannels" and 8 other mic pres I could use should I decide to record an entire band or some drums. I'm not quite sure it was worth it.
Oh yeah...almost forgot to mention...this interface has a history of problems working with Sonar. My experience isn't horrible, but I do have a lot more drop-outs and interruptions than I ever had with the Alesis IO-14. PreSonus Forums suggest the problem lies in using ASIO drivers instead of WDM drivers, but I haven't tested that one.
Pros:
- The super "SuperChannels"...GREAT recording quality
- The "StudioOne Artist" DAW software that looks pretty super as well
Cons:
- The 6, almost-unusable line-level inputs
- No digital input/output
- Occasionally problematic with Sonar
- The price, given the almost unusable line-level inputs and no digital I/O
I have to say my experience with this is disappointing enough, I'm researching a replacement, and will likely sell it if I find something better.
Those are my thoughts...the rest is your call....cheers...
Added to the review on 9 Sept 2010: PreSonus has interestingly wiped all the old entries in their forum. I found none of the previous complaints I'd read about the PFT line-level problem, and even my own question was deleted from the forum. The forum has a new interface, so I'm sure they would probably claim that was the reason the old complaints were deleted.

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The FireStudio Tube is a world-class 24-bit/96k professional FireWire recording system loaded with the perfect combination of inputs and outputs for bands, producers, musicians and engineers to produce commercial-quality recordings.

Two SuperChannels - Tube Preamplifiers with LimiterThe front panel of the FireStudio Tube is loaded with two “SuperChannels” featuring class A vacuum tube microphone and instrument preamplifiers along with full-featured analog limiters.The tube preamplifiers use a high gain, military grade 12AX7 tube for maximum gain, low noise and high headroom. Neutrik combo connectors allow both XLR microphone input and hi-Z instrument input. Preamp controls include preamp gain and tube drive to achieve a wide range of sounds from smooth, clean and clear, to warm tube saturation. An 80Hz high pass filter is also located on the front panel to remove room rumble and unwanted lows.


Analog Dual Domain Limiters On BoardThe FireStudio Tube’s Limiter features a VCA-based ultra fast Dual Domain RMS and peak detection circuit used in the award-winning DigiMax 96K, delivering the most musical limiter available. The Analog Dual Domain Limiters in the SuperChannel are located after the preamplifier and BEFORE the analog to digital converter in the signal path. This allows you to maintain high resolution recording levels without clipping, allowing you to keep the vocals up front, the kick and snare consistent, and the bass solid and punchy. Controls for the limiter include Threshold and Gain make-up as well as a Limiter in/out button. Fast-acting LED metering on the front panel displays preamp input and limiter gain reduction for the two tube SuperChannels.

Perfect I/O for Music ProductionThe FireStudio Tube delivers all the analog I/O needed for professional recording sessions, featuring sixteen analog inputs including two tube SuperChannels on the front panel, eight class A award-winning XMAX microphone preamplifiers and six balanced TRS line inputs on the rear panel. Outputs include six balanced TRS outputs and PreSonus’ signature ultra loud and clear headphone output that “goes to 11”. MIDI I/O is also included on the rear panel for MIDI instruments, keyboards and controllers. The FireStudio Tube’s combination of microphone, instrument and line inputs is perfect for a band to simultaneously record drums, bass, guitar, vocals and keyboards without any additional preamplifiers.
DSP Mixer/RouterThe FireStudio Tube includes PreSonus’ 16x8 FireControl mixer/router delivering up to four zero-latency custom monitor mixes easily and quickly.
8 XMAX Class A PreamplifiersThe FireStudio Tube includes eight custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones. Many other companies offering recording interfaces add the cheapest possible microphone preamplifier as an afterthought to the interface. PreSonus knows that the preamplifier is a key component in the sonic quality of a recording. The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results. A cheap "off the shelf op-amp" type mic preamp that is found in most interfaces translates into thin, noisy and harsh results.
All XMAX preamplifiers are built with the same three elements:

High Voltage - The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound.

Discrete - No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency.

Class A - When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits.

The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between.

Digital Converters and JetPLL SyncThe FireStudio Tube touts A/D/A converters with a dynamic range of over 114dB for unbelievable clarity as well as synchronization using patented JetPLL™ jitter reduction technology. JetPLL™ incorporates noise shaping to virtually remove all audio band jitter. JetPLL™ ensures the highest converter performance possible, resulting in better stereo separation and clearer more transparent audio. JetPLL™ delivers ultra-fast locking to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. JetPLL™ ensures near perfect clock performance when networking audio devices, thus creating the most stable and robust synchronization to the computer.
ProPak Software Suite (ver. 4) Included
Cubase LE 4 48-track music recording and production software
Cubase LE 4 Demystified by PreSonus - DVD tutorial video
Amplitube Duo - Virtal Guitar Amplifier
Ampeg SVX UNO LE - Virtal Bass Amplifier
EZ Drummer Lite - Virtual drummer plug-in
Track Plug LE - EQ and Compressor plug-in
MasterVerb LE - Reverb plug-in
PreSonus EyeQ - EQ and spectral analysis plug-in
Sony Acid Express - Loop creation software
Martin Atkins Beat Fetish - Loop library
Pluggo Jr. – Average Injector, Chamberverb, Feedback Network, Filter Taps, Generic Effect, HF Ring Mod, Jet, Limi, Nebula, Resonation, Resosweep, Spectral Filter.
Discrete Drums Sampler– over 1GB of drum loops and drum samples
Twiddly bits – 100 MIDI drum loops created by real drummers

Computer System RequirementsBelow are the minimum computer system requirements for your FireStudio Tube.
Windows
OS: Microsoft Windows XP and Windows Vista
CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
Memory(RAM): 1 GB (more recommended)
Macintosh
OS: MacOS X 10.4.x or later (10.5 supported with driver update)
CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
Memory(RAM): 1 GB (more recommended)
Windows and Macintosh Systems
IEEE 1394 FireWire 400 Port
Internet connection
DVD-ROM drive
Internal or external 7200RPM storage drive is highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.

Microphone Preamp 1-8 (XLR Balanced)TypeXLRFemale BalancedFrequency Response (±0.5 dB)20 Hz to 50 kHzFrequency Response (±3.0 dB)20 Hz to 150 kHzInput Impedance (Balanced)1600 OhmTHD+N(unwtd, 1kHz @ +4 dBu Output, Unity Gain< 0.0003%EIN(unwtd, 55dBGain, 150 Ω Input, 20Hz to 22kHz-126 dBuS/NRatio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz> 101dBCommon Mode Rejection Ratio (1 kHz, 55 dB Gain)> 55dBGain Control Range (± 1dB)-4 dB to 50dBMaximum Input Level (Unity Gain, 1 kHz @0.5% THD+N)+14 dBuPhantom Power (±2 VDC)+48 VDC

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Infrasonic Quartet Pci Aud I/F Review

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(More customer reviews)I purchased this card so I could do 192000 sampling with my Windows 7 64bit Computer. It works perfect and was easy to setup.
The company I bought it from had a great price and shipped promptly.I am very pleased.

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Introducing the Infrasonic Quartet Advanced 4 x 4 I/O recording interface. Infrasonic is a world wide leader in high end recording interfaces for both Mac and PC based systems. The Quartet has the following key features' Total 4 x 4 channel 24-bit/192kHz Audio Interface' V-BalancedTM Driver Technology (IO Changes to 2x2,2x4,4x2 between unbalanced and balanced)' PCI Slot compatibility designed to suit +3.3V and/or +5V PCI slot' Precision low noise Microphone preamplifier with +48V phantom and Low cut' Built-in Selectable Direct Instrument Input' Built-in high quality Dual Headphone amplifier' High quality Audio-Converters and expert analog technology' ADC : 113dB dynamic range (up to 24-bit/192kHz)' DAC : 115dB dynamic range' Hardware mixer for direct monitoring.' Uses Cross-Latch type 1/4" TRS Stereo jack for reliable analog I/O' RCA connector for Coaxial I/O (Support up to 192kHz)' Shutter type optical output jack for S/PDIF output' Supports pass-through AC-3/DTS' Word Clock I/O : Fs / 256*Fs, BNC Connector' FREE Mixer' Virtual Channel Function' Support ASIO2, WDM, DirectSound

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PreSonus FireStudio FireWire Interface with 8 Preamps Review

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(More customer reviews)This device looks great on paper. Don't buy it if you are a SONAR user. Presonus has designed this device to work well with Cubase LE. That, and other editions of Cubase, are about the only DAWs that I have heard user success stories about. There are plenty of Firestudio / Cakewalk SONAR problems. Also, be careful of what MAC OS you have. The Presonus minimum requirements are 10.3.9 but users have reported needing 10.4 at a minimum. The Windows minimum requirements are WinXP SP1. I can attest to this being incorrect. You will suffer many BSODs if you use anything below WinXP SP2. The preamps sound good. There is plenty of headroom, plenty of output gain, etc. The drivers need to mature, particularly Presonus1394.sys. This audio interface is not quite there yet. I give it two stars for features. I returned mine for a refund.

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The PreSonus FireStudio FireWire Audio InterfaceA complete 24-bit 96k recording studio combining eight high-quality PreSonus mic preamps; 8-channel 96k ADAT (dual SMUX) IO, or 16-channel 48/44.1k ADAT IO; 2-channel SPDIF and MIDI IO; 24-bit 96k sample rate conversion and the PreSonus ProPak Audio Software Suite (Steinberg Cubase LE, Sony Acid XMC loop creation and music production, Cycling'74 Pluggo Jr. plugins, and much more). The FireStudio is an advanced hardware and software combination delivering pro quality audio recording and production at an incredible price. Includes CAD GXL2200 Mic.PreSonus FireStudio FeaturesHigh-speed FireWire (IEEE 1394) audio interface24 bit resolution, up to 96K sampling rate8 Discrete microphone preamps with trim control8 analog line inputs, 2 instrument inputsBalanced send and return for channels 1 and 216-channel 44.1/48k ADAT I/O or 8 ch. 96k ADAT I/O (dual SMUX)S/PDIF I/O, MIDI I/OZero latency FPGA full-matrix mixer/router26 discrete inputs and outputsPreSonus ProPak Audio Software Suite includedHardwareFIRESTUDIOis loaded witheight custom designed class A microphone preamplifiers via combo input XLR/TRS Neutrik connectors for conveniently connecting all types of microphones and instruments, perfect for recording vocals, drums, guitars, bass, piano, keyboards, guitars, synths, horns, orchestras, choirs, and more. Eight trim controls are on the front panel to easily adjust the input level of each preamplifier. Inputs one and two of theFIRESTUDIOcan be used for microphone or instrument inputs. Inputs three through eight can be used as microphone or line inputs. Phantom power (+48V) is available on every channel in groups of four. Channels 1 and 2 feature fully balanced send and return TRS connectors on the rear of the rugged metal chassis for ins

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PreSonus HP60 6-Channel Headphone Amplifier/Mixer Review

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(More customer reviews)If you play live and your band is constantly complaining that they can't hear themselves in the mix, this is the perfect product to solve that. Lets back up...if you are a vocalist trying to hear yourself or to do harmonies, it is almost impossible if all you have is the main mix in your phones. This device allows you to take, say, the direct feed from your vocal channel and plug it into a stereo input...for each channel. The three singers in my band each have an output that they are able to mix into the main mix. The result: "more me" since my vocals are boosted above the other vocals and instruments. And you can't believe how much better you can sing when you can actually hear yourself.
Of course, the other vocalists can hear you too, but they can mainly hear themselves, so everybody can sing their parts without getting disoriented by the other vocalists
You get two stereo inputs for all the channels, and you can mix them together, so you could theoretically have a backing track mix on A and a click track on B. If the drummer needs the click, mix heavy toward B. If you are a singer and dont need to hear the click, mix heavy toward A. Then, boost your own personal direct signal from the mix board so that your vocals stand head and shoulders above the other stuff. NOW you can hear!!!
This is one of those products I'm constantly inventing in my head that don't exist, except that this one does, and with more features and flexibility than I ever would have imagined. Plenty of volume in the headphones, nice clean sound, and you can hook up six headphones to this thing, each with individual A/B track mix and "more me" mix input. Pricey, but worth it. This thing is a game changer. As the guy who usually gets the middle David Crosby part in the harmony matrix, I no longer get confused, off pitch, or lost. Bring it on...I can sing ANYTHING now...

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"Turn my headphones up!" "More me, I can't hear myself!" "Turn down that click!" It gets old. Change that tune with the HP60 headphone distribution system. The HP60 is more than just a half-dozen headphone amps, it's a field-tested solution to a host of common headphone-monitoring problems. Let's start with "turn my headphones up." Each of the HP60's six headphone amps has its own level control and puts out 150 mW, which is loud enough to drive the alligators out of the Louisiana swamps. If they can't hear this headphone system, they're stone deaf. More likely they'll scream, "turn it down, you're killing me!" Problem solved. Now let's solve "turn down that click." The HP60 features two sets of line-level, stereo inputs that are routed to all six headphones, a Mix control that sets their relative levels for each headphone output, and a mute switch for each headphone. So you can feed the main control-room mix to channel A and the click to channel B and use the Mix controls to individually raise or lower the click relative to the main mix for each musician. Problem solved. As for "more me," in addition to the two pairs of main stereo inputs, you get an external stereo input pair with level control for each headphone channel. A Mono switch lets you sum the left and right inputs. So you can send each of the whiners a feed of just their instrument or voice and can control the level separately for each. Problem

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TC Electronic Desktop Konnekt 6 24Bit/192kHz Firewire Desktop Audio Interface Review

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(More customer reviews)I had to get rid an Alesis iO device after the upgrading to Windows 7 and downgraded to an older, but compatible, Tascam USB interface device in the meantime. The Konnekt6 is better than both of them. The device buttons and knobs all have a quality feeling to them - plus they're functionally elegant with indicator illumination. The monitor volume knob, for instance, glows brighter as it is turned. The balanced output works great - as do the inputs. The WDM drivers work great in Windows 7 32 bit, as does the control panel. When running it for the first time, it recognized that there was a new firmware on the disk and seamlessly installed it. The control panel's interface seems well designed - I was able to grasp all of the mixer and device setting configuration without resorting to documentation. I probably will never use the reverb but it was easy to completely disable. So far, I'm very pleased with this purchase.

Click Here to see more reviews about: TC Electronic Desktop Konnekt 6 24Bit/192kHz Firewire Desktop Audio Interface

Anyone familiar with the T.C. Electronics' Konnekt line of interfaces knows they offer high-quality recording features. This addition to the family, the Desktop Konnect 6, continues that trend but is in a smaller footprint size FireWire audio interface allowing you to focus more on your performance than worrying about messing with complicated technology. It gives you all the features you'll need, like an advanced Monitor control, IMPACT mic pre with excellent I/O options, and the top-notch M40 Studio Reverb to instantly record instruments and vocals into your Mac or PC.Monitor ControlThe volume control on the Konnekt 6 Interface is the knob that you'll use all the time. Therefore, it is great that it sits right where you want it: always within reach. With a volume control independent from the computer - between the computer and the active speakers - you can always turn down the volume, no matter what your computer does.High resolution meterThe high resolution gives you precise information about levels. With clear level indication, you can always monitor the level of the input signal and know if you're near clipping. You can also choose to use the meter for mastering purposes.Reverb for trackingFor monitoring convenience, the reverb is available as part of your monitor mix. You can control the reverb level directly from the top panel of Desktop Konnekt 6,and you can set reverb parameters using the control panel on the computer.Direct monitor mixUse the direct monitor knob to control the direct monitor level directly from the top panel of Desktop Konnekt 6. Together with the DIM switch and the MONO switch you have all the monitor functions you need at hand.ScenesWith Scene select you can easily access three independent scenes or "setups". The three default presets are for Microphone and guitar, two guitars/basses, and stereo line signal.Control panelThe control panel gives you full control over your monitor mix, including the M40 Studio Reverb.IMPACT and I/OWhen it co

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AudioTrak MAYA44 USB Audio Interface Review

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(More customer reviews)Warning: If you purchase this pos through MusiciansFriend.Com, they will not accept returns!
The MAYA-44-USB has an extremely confusing, and dysfunctional driver installation procedure.
The manual appears to be written by someone with a rather limited grasp of the English language, and no concept of technical writing.
This product is *not* compatible with AtomixMP3 software.
Avoid this, as well as MusiciansFriend.com. They have just lost a formally loyal customer for not allowing me to return this.

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Alesis MultiMix 4 USB Compact Mixer Review

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(More customer reviews)I wrote a highly favorable review of this product when I first bought it. After 1 year the product quit working !!
the 2 main control volumes on the right both quit working. The best way to describe it is like when you have an old AM Radio
and the volume knob doesn't work anymore and it sticks, like the contacts quit working, this usually happens after many , many years with an AM Radio, but with this mixer it happened in less than a year !! Avoid product!!

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The MultiMix 4 USB is a four-channel desktop mixer with a USB digital audio interface built in. This compact mixer is perfect for using in basic computer-recording setups, video editing and production studios, and portable podcasting setups because it outputs not only line-level analog audio, but also stereo 16-bit, 44.1 kHz digital audio over USB for low-noise, easy computer connection. You can also monitor back from your computer through the same USB connection.

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PreSonus Central Station Studio Control Center Review

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(More customer reviews)Prior to buying this box, I had my DAW's analog output directly connected to my studio monitors and used an old stereo receiver as a headphone amp. I would not have expected the Central Station to make such a huge difference to my way of working but it's been incredibly convenient to be able to control the system volume with a real knob, switch between studio monitors and a cheap boombox and to have the built-in headphone amp with plenty of volume. I can't explain why but being able to run my sound card (Digital Audio Labs CardDeluxe) at full output has made my mixes come out better in the form of crisper sound and better separation of instruments. Next step is to hook up the DAW's digital output to the CS so that I can have a custom headphone mix and leave it up during the tracking process without disrupting whatever mix decisions I've made. This box did exactly what I needed and helped me streamline my workflow without degrading my audio quality.

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The Central Station is the ultimate studio-monitoring interface for the modern digital studio. The Central Station features three sets of stereo analog inputs to switch between input sources such as: DAW, mixer, CD/DAT/Tape player, or keyboards/samplers. Two stereo analog inputs feature TRS balanced and the third stereo input features RCA inputs with trim control for level matching of input signals. In addition, the Central Station will accommodate two digital inputs via S/PDIF or ADAT lightpipe providing D/A conversion up to 24Bit/192kHz. This allows you to monitor DAW and CD/DAT outputs through the same professional quality converter for the most accurate A/B comparison and highest quality monitoring environment. The digital to analog converter offers the highest possible audio quality with over 117dB dynamic range and ultra high quality analog circuitry. The Central Station features three sets of monitor outputs, each with their own set of passive trim controls. The monitoring section also provides MUTE, DIM and MONO switches. In addition, the Central Station includes a set of CUE outputs that can feed headphone amplifiers and a separate stereo MAIN line level output.

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PreSonus FireStudio Project 10x10 FireWire Recording Interface Review

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(More customer reviews)I purchased the Firestudio Project a year ago and have been thrilled with its performance.
The external LEDs are a huge plus for setting your levels, and the eight XLR/quarter-inch inputs are very convenient. You also have phantom power available for all inputs.
The latency with this unit is minimal with a PC running Vista in a stripped down form as recommended by one of the major music retailer web sites.
Cubase LE is fairly simple to use, and it's easy to export your individual tracks for use in other DAWs like ProTools, if you intend to mix in a studio. Another note regarding Cubase: out of the box the program defaults to 16-bit recording, and you will definitely want to change the bit depth to 24-bit, particularly if recording in a noisy home studio environment. The noise floor, especially on vocal recordings with high gain on a condenser mic, is considerably higher with 16-bit. So, make sure you have a computer that is beefy enough to handle 24-bit because it does use more system resources.
The FireStudio also comes packaged with some nice VST plug-ins including instruments by Halion, some of which are pretty passable like the Jazz Piano.
When researching interfaces, my biggest concern was compatibility with hardware, as I had read some horror stories about interfaces not working with FireWire drivers correctly on certain PCs or Macs. This one worked perfectly out of the box with a store-bought HP desktop, so my experience was great in that regard.
My only complaint is that this unit was supposed to come with the Presonus EyeQ software - a multi-band EQ and spectrum analyzer, which was pictured on the box, but not in the box. I've read that others got left out of the EyeQ party as well, and I have e-mailed tech support but not yet gotten a response after one week.

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The FireStudio Project a complete 24-bit/96K professional recording system combining eight Class A XMAX microphone preamplifiers, 24-bit/96k sample rate conversion, and a zero-latency matrix router mixer.

The FireStudio Project is bundled with PreSonus Studio One Artist, our groundbreaking music creation program, and over 4 GB of virtual instruments, plug-ins, loops, and samples to get you started making music immediately.

Great for professional studio recording, live sound recording, performance, podcasting and more, the FireStudio Project is designed for flexibility and ultra-high sonic performance. Whether you need to record a live drum set, mic a guitar amp, or a complete band, the FireStudio Project is ready and more than able. With the new FireControl Mixer/Router you can send up to five individual mixes to different musicians during recording so that every band member can have a custom headphone mix.

The FireStudio Project can be daisy-chained with one or more FireStudio Projects or FireStudio Tubes to expand your number of recording inputs. Two and three units daisy-chained in any combination has been tested at PreSonus, however, the total number of units that can be daisy-chained depends on your computer’s processor speed, amount of RAM and computer configuration.

The FireStudio Project is the next-generation of the award-winning FP10/FirePod with the following improvements:

Improved analog to digital converters (114dB dynamic range)
Improved syncronization with JetPLL™ (jitter elimination technology)
FireControl Mixer/Router to send up to five separate zero-latency stereo mixes to musicians during recording
Three-segment LED input metering on all analog channels
Internal IEC-based power supply
PreSonus Studio One Artist bundle with Native Effects plug-ins and third-party instruments, loops, and applications.

8 XMAX Class A PreamplifiersThe FireStudio Project includes eight custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones. Many other companies offering recording interfaces add the cheapest possible microphone preamplifier as an afterthought to the interface. PreSonus knows that the preamplifier is a key component in the sonic quality of a recording. The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results. A cheap "off the shelf op-amp" type mic preamp that is found in most interfaces translates into thin, noisy and harsh results.
All XMAX preamplifiers are built with the same three elements:

High Voltage - The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound.

Discrete - No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency.

Class A - When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits.

The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between.

Digital Converters and JetPLL SyncThe FireStudio Project touts A/D/A converters with a dynamic range of over 114dB for unbelievable clarity as well as synchronization using patented JetPLL™ jitter reduction technology. JetPLL™ incorporates noise shaping to virtually remove all audio band jitter. JetPLL™ ensures the highest converter performance possible, resulting in better stereo separation and clearer more transparent audio. JetPLL™ delivers ultra-fast locking to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. JetPLL™ ensures near perfect clock performance when networking audio devices, thus creating the most stable and robust synchronization to the computer.
Universal ControlAll members of the FireStudio family of interfaces, including the StudioLive 16.4.2 mixer, come bundled with Universal Control software. Universal Control is a powerful, flexible, and easy to use control-panel application that allows you to daisy-chain to up to 4 FireStudio-family devices for a maximum of up to 52 inputs and outputs.
Universal Control consists of the Launch window and the Device window. In the Launch window, you can set the sample rate, clock source, safe mode, buffer size (PC only), and WDM routing (PC only) for all connected FireStudio-series interfaces. Each device is listed at the bottom of the window, along with Device Window buttons that open each interface’s Device window.

The Device window provides level and routing controls for each FireStudio-series interface’s internal mixer, enabling you to set up zero-latency monitor mixes. Input and output metering have been optimized for ultra-fast screen display and minimum CPU usage, and you can give each interface a custom name. You can use any device in the chain as the master clock source, or you can slave the entire chain to an external digital device using any of the available digital inputs in the chain.

Studio OneArtist—Plus Gigabytes of Creative ResourcesThe FireStudio Project is bundled with an exceptional software package, featuring PreSonus Studio One Artist, the amazing new DAW software for Mac OS X and Windows XP and Vista that makes producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds.
Compare Studio One Artistand bundled extras to what comes with competing mobile interfaces:

All-meat, no-bloat, music-creation software with anintuitive, practical, single-window interface
Unlimited tracks, insert effects, sends, virtualinstruments, buses, and effects channels
Powerful drag-and-drop functionality
Content browser with convenient sort options and previewplayer
Full-featured, flexible automation
Powerful real-time auto/manual time-stretching andresampling engine
Control Link™ (advanced MIDImapping made easy)
Twenty 32-bit Native Sound™ plug-ins, including reverbs, ampmodeling, and EQ
Four new virtual instruments, including a sampler and ananalog-type subtractive synth
Ability to control the software mixer in any FireStudio-series interface to create zero-latency cue mixes.
Gigabytes of third-party resources, including Native Instruments™ Kore™ Player with custom SoundPack (150 instruments), Native Instruments™ Guitar Rig LE, Toontrack™ EZDrummer Lite, and over 1.4 GB of loops!

Computer system requirements:Below are the minimum computer-system requirements for your FireStudio Project.
Windows
Windows 7, Vista, XP (32-bit and 64-bit)
Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Macintosh
Mac OS X 10.5.2 or later (32-bit and 64-bit)
PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Windows and Macintosh Systems
IEEE 1394 FireWire 400 Port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly recommended

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PreSonus Eureka Pro Recording Channel Review

Average Reviews:

(More customer reviews)The Eureka has gotten a lot of buzz. The box feels solid and substantial. It comes with gain, hard/soft compression, three band parametric eq, and master volume. The patch order of the eq and compresion can be switched, depending on your needs. Other useful features include phase inversion, variable impedence, and a saturation knob. A backlit analog meter can display incoming signal level or gain reduction. Inputs and outputs are both TRS and XLR. An effects insert point is included. An optional digital output card is available.
I bought the Eureka on the recommendation of a trusted music salesperson (yes, they exist) to power my Royer 121 ribbon mic. There were no preamps anywhere close to this price that he would consider recommending. As it turns out, he did me a great favor. The Eureka does a very solid job with the Royer mic (although I haven't heard the Royer on anything else, so I can only speak to the pairing of the two). Better yet, it gives me new options for almost every other piece of gear I own. I have an inexpensive Precision bass that really benefits from this box - the compression and preampe give it the fullness of a better instrument, while the eq helps to control the noisiness and unevenness between strings. The variable impedence allows users to try those DIY tricks on Shure SM57 mics without pulling out a soldering iron. Other budget-to-midrange mics also benefit. I run my Mojave tube mic through the Eureka to control peaks with good results. I haven't found anything that doesn't benefit at least a bit from the Eureka. I have even heard of mixes being run through the Eureka (one side at a time) to remove the dreaded "digital chill". Between the quiet operation and the versatility of the Eureka, it is no wonder that it is quickly becoming a "best kept secret" among many home recordists and even sine professionals.
Downsides: The knobs are close together and seem vulnerable to being bent. Three sweep eq's with no shelving eq are less than I'd prefer, but they do their job. The optional digital card can take signals from two Eurekas run in tandem, but the signal from the second Eureka must pass to the card in the "analog domain" before it is converted to a digital signal. As with any analog gear, favorite settings must be written down instead of being saved to memory for instant recall. None of these issues is a deal-killer - they just illustrate how hard I had to work to come up with any complaints at all.
If you're looking for a way to bring your home recording quality up a notch, or a way to give old gear a new lease on life, the Eureka may be just the ticket. Its quality sound, versatility and bang-for-the-buck put it in a niche that will make many bugdet-minded recordists very happy.

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The Eureka is a professional recording channel strip containing a discrete class A transformer-coupled microphone preamplifier, compressor, and three-band parametric equalizer. The microphone preamplifier features variable input impedance so that the Eureka can be matched and "tuned" for all types of microphones and recording applications. The Class A transformer-coupled microphone preamplifier also features a saturation control which adjusts the drain current on the input FET amplifier to simulate of the effects of tape saturation and tube "warmth".

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Tascam Track Pack T1 US122L Soundcard with Micrphone Pack Review

Average Reviews:

(More customer reviews)I'm using this with a relatively new MacBook and GarageBand. And it sorta works. The updated driver still leaves the Mic VERY quiet and the guitar input not much better. The input dials need to be turned all the way up to get any input. Maybe a 64-bit drive would help, but now Tascam has discontinued this model, so I'm not holding my breath.

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Turn your Mac or PC into a complete recording system for music, podcasting or production with Tascam's Track Pack T1 package, which includes the US-122L sound card, MC-VT1 dynamic microphone, HP-VT1 headphones, and Cubase LE4 software--everything you need to produce hit music on your computer.
The US-122L is your computer's gateway into the audio world. More than just a soundcard, it has a pair of pro-quality microphone preamps for connecting any type of microphone. The phantom power switch supplies power for condenser microphones. The US-122L also has a line input for recording powered devices like keyboards, drum machines and guitar amp modelers. You can even plug your guitar or bass directly into the US-122L. With two inputs, you can record two microphones or sources at once, monitoring with the included HP-VT1 headphones. The included MC-VT1 dynamic microphone is ideal for recording instruments like electric guitar, drum kits and rock vocals.
The Track Pack T1 also comes with Cubase LE4 software, which provides 48 tracks of recording and playback with a Tascam interface and a Mac OS X or Windows XP computer. You can edit your tracks to fix timing and mistakes to put together a perfect take. Cubase LE4 has a professional-quality mixer built in with plug-in effects like reverbs, compressors, distortion, auto-pan and more. You can add more VST plug-ins later and there are more free and commercial VST plug-ins than any other format.
US-122L Features
High-quality stereo audio interface
TASCAM XLR mic pres with power for condenser mics
Works with audio application software for Mac OS X, Windows XP or Vista

MC-VT1 Features
Dynamic handheld vocal microphone
Professional XLR output for lower noise performance
Built-in pop filter reduces vocal plosives

HP-VT1 Features
Closed-ear headphones for isolation while recording
Includes 1/4-inch stereo headphone adapter plug
Padded headset with rich bass response

Steinberg Cubase LE Features These are just a few of the features of Steinberg Cubase LE:
48 audio tracks: More than many "pro" applications, enough for large arrangements and multiple takes
64 MIDI tracks: Record layers of MIDI synths, or incorporate ReWire samplers like GigaStudio 3 LE
96kHz/24-bit audio resolution: Audiophile recording quality captures every detail and nuance
VST plug-in effects: Thousands of effects to choose from, from free downloads to pro packages, with the most widely-supported plug-in format
VST instrument support: Incorporate VST soft synths into your Cubase arrangements
Notation editing and printing: MIDI tracks show up as completed notation for printing charts for musicians and editing tracks
Time Stretch: Change the tempo of a loop to match your song
ReWire 2 integration: Run ReWire-compatible applications like GigaStudio 3 on the same computer as Cubase LE
Upgrade path to Cubase SX: Upgrade to the full version of Cubase if you outgrow this version
Extensive support for mixing control surfaces: Use a US-224, US-428, FW-1884 or FW-1082 to control the program
To upgrade from Cubase LE to a more powerful version like Cubase SX3, visit steinbergupgrades.com.

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Lexicon IONIX U42S 4-Input USB 2.0 Desktop Recording Studio Review

Average Reviews:

(More customer reviews)This device is solidly built, compact, and has great styling. Oh, and fantastic audio.
September 20, 2009 update: Better hope you don't have to deal with Lexicon's tech support. It is absolutely the worst ever anywhere. If you read through the comments to this review, another customer had extreme difficulties finding 64bit drivers. They weren't on the shipping CD, unlike my CD which did have the drivers. It took him weeks before anyone would respond to him. Ultimately, he bought another brand. The new 64 drivers were released a few weeks ago. I tried to install them on my computer and came up with total zero - the device no longer worked since the driver install failed. I emailed tech support, 2 weeks later I got a did you disable your virus software? Then I responded immediately, they are fools, of course that wasn't the problem. Then a week later I got another email that said and engineer identified the error code I sent (in the original email, but repeated for effect a second time)as the USB connection not working properly, and was the blue USB light on. Oh and by the way, please send them the information from the System Device control panel for the type of computer I have. I finally discovered that there was a problem with Windows 64 bit installers after Vista's SP2 update that makes it not work very well sometimes. I did this registration thing with a file. Reverted my computer to the old driver and then the software actually installed correctly - and I'm back in business. Sadly, absolutey no help from Lexicon.
If it were possible to change the star rating, or split the rating - Device / Hardware 5 stars; software not so great 3 stars; tech support for a Professional Product - absolute -100000000 stars totally blows chunks worse than most software companies I've dealt with.
Back to the Original Review:
Some physical description, this is a 4 input mixing, analog to digital, sound console. It uses USB-2 to connect to a computer, however a computer is not a necessity to use this as a mixer. The software included Cubase LE4, Pantheon II Reverb plug in, and Toontrack EZDrummer Lite (along with the required drivers and owner's manuals).
The inputs - 4 rear XLR / 1/4" combo plugs (allows either type of plug in); Midi IN; SPDIF - Coaxial - IN. There are two Instrument 1/4" jacks on the right hand side of the console.
The outputs - 2 1/4" headphone jacks on the left side. Two line level 1/4" jack audio outputs, Midi Out, and SPDIF - Coaxial -Out; and USB out.
There are also two buttons on the back for +48V phantom power.
The controls on the front, 2 headphone controls, the 4 input controls (inputs 1 and 2 can be made stereo pairs; as can 3 and 4). A large output level control. And a control to blend the amount of raw direct input sound, versus the amount of post processed sound.
Each volume control has a set of LED's above them to adjust levels.
The mass of this controller is just perfect, it weighs enough so that the thing will not slide around while plugging and unplugging inputs. The style is a bit like Harmon Kardon - black over silver. The control knobs just scream high quality. The whole thing is powered by a well designed A/C adapter with cords on both ends.
Computer installation. Plug the USB connector in. Insert the included software disc, select install drivers, and find out that only the 32 bit drivers are included. So it's off the Lexicon website to get the 64 bit drivers, my system is 64 bit Vista. After a ton of windows and separate installs, a reboot was necessary and all was happy with the connection.
Then came the pain and suffering:
Cubase was a major pain in the rear end to install. There must be 50 steps to finally get this program validated, registered, and authorized. It's frankly critical to open the installation instructions and follow them to the letter. Nothing but nothing is simple about this install, and it's just to complex to repeat here.
Once up and running - wow this thing is a total joy to use. I'm very new to recording (this is my first recording console). We plugged in an electric acoustic Laguna guitar, followed the instructions for getting started with Cubase, adjusted the volume on the console (the LED's on teh console helped get the levels right), hit record in Cubase; and voila a really great clear recording saved as a WAV file. Couldn't have been easier and higher quality.
The bit of surprise was playback. No matter what I tried, I could not get my Logitech Z-10 speakers to output a recorded track directly from Cubase. This is all probably by design, and it's just my inexperience. I had to use the left hand headphone jack to listen to the sound. This also worked as a monitor when we hooked up an electric guitar. The output quality on those headphone outputs was incredible. The only way I could playback the recorded track, once you press stop at the end of recording, the WAV file is written to the hard drive. That wave file can then be simply played through windows media player or any other player like a standard WAV file.
We did a few recordings and then burned the WAV files to CD. Played on a very nice stereo system, the clarity was absolutely amazing. Bass was solid, the highs were crystal clear. I loved those first recordings.
I've paired this with a Shure SM58 microphone for voice recording.
It feels like I have purchased a really fine solid piece of audio hardware. The sound recorded so far is nothing short of remarkable. For a pure beginner, I was able to get this set up and working surprisingly quickly and do a very decent recording. The Cubase learning curve is going to be huge, I can see that. But simple first out of the box, what a great experience.

Click Here to see more reviews about: Lexicon IONIX U42S 4-Input USB 2.0 Desktop Recording Studio

The I•ONIX U42S USB 2.0 Desktop Recording Studio offers the highest quality hardware and software to provide the user with exceptional recordings. All the necessary tools are provided to transform your PC or Mac into a professional 24-bit/96kHz digital recording studio including the U42S recording interface, Steinberg Cubase LE4 recording software, Toontrack EZdrummer Lite, and the new Lexicon Pantheon II VST/AU reverb plug-in.Brilliantly designed, the Lexicon I•ONIX U42S sits where it makes the most sense, between your keyboard and monitor. Now all the level meters and gain controls are at your fingertips when using your DAW. Everything from the metal chassis to the electronics inside is meticulously crafted to ensure superior recordings that live up to Lexicon’s standards of performance.Featuring newly designed dbx 60V high-voltage, ultra-low noise mic preamps on all 4 channels, the I•ONIX U42S is more than equipped to provide professional recordings that keep your music sounding its best. The preamps run on a high-voltage supply to guarantee stability and provide you with a superior recording across a wide dynamic range. Performance driven A/D – D/A converters ensure pristine 24-bit/96kHz audio to capture every subtle detail of your performance.The I•ONIX U42S can record four tracks at once and includes 4 combi-jack mic/line inputs with +48V phantom power, 2 TRS balanced line outputs, 2 hi-Z instrument inputs, 2 high power ¼" headphone outputs, S/PDIF and MIDI I/O. Dedicated knobs and meters offer easy access to input and output levels and locking combi-jacks make sure that a connection is not lost in the middle of a performance.The Lexicon name is synonymous with the world’s best reverb. The Pantheon II VST/AU reverb plug-in offers 6 reverb types with 35 factory presets, which range from Vocal to Live Sound and Special Effects. Lexicon’s exquisitely rich, full reverbs make it easy to complete your mix by adding depth and dimension to any track.

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Lexicon IONIX U22 2-Input USB 2.0 Desktop Recording Studio Review

Average Reviews:

(More customer reviews)I bought this one after looking at the cheaper products from M-Audio, Tascam, and Lexicon. I agonized for weeks reading product reviews and the conclusion I came to was: for under $200, I'm going to be disappointed. All were plagued with quality/longevity issues, and many had problems with pops/drops of the audio signal. I like a bargain, but you get what you pay for. The only other one I considered was the Prosonus, which I'd recommend for anyone who desires a firewire devices (which gives you the ability to chain devices together for expansion).
Pros:
- Installation was flawless: insert DVD, follow instructions.
- 9V adapter (instead of being USB powered) and supports the 48V 'phantom' power for high end microphones.
- USB 2.0, all complaints about drops and pops for the USB 1.1 products are gone.
- Sturdy construction, nice big dials. The less expensive Lexicon products had quality complaints; this one is built like a brick.
- Simplicity. It has only 2 inputs (the 3rd 'instrument' input disables the mic/line input #1 when plugged in) but that is exactly what I need.Cons:
- No power button? I'll need to put all my recording stuff on a switched power strip.
- Like most of these products, for some reason there is no easy way to use your PC speakers for a monitor. I'd figured there would be a way to send the digital output to the sound card, but instead I guess I'll connect the outputs to the analog PC line in. Ah well..

Click Here to see more reviews about: Lexicon IONIX U22 2-Input USB 2.0 Desktop Recording Studio

The I•ONIX U22 USB 2.0 Desktop Recording Studio offers the highest quality hardware and software to provide the user with exceptional recordings. All the necessary tools are provided to transform your PC or Mac into a professional 24-bit/96kHz digital recording studio including the U22 recording interface, Steinberg Cubase LE4 recording software, Toontrack EZdrummer Lite, and the new Lexicon Pantheon II VST/AU reverb plug-in.Brilliantly designed, the Lexicon I•ONIX U22 sits where it makes the most sense, between your keyboard and monitor. Now all the level meters and gain controls are at your fingertips when using your DAW. Everything from the metal chassis to the electronics inside is meticulously crafted to ensure superior recordings that live up to Lexicon’s standards of performance. Featuring newly designed dbx 60V high-voltage, ultra-low noise mic preamps on both channels, the I•ONIX U22 is more than equipped to provide professional recordings that keep your music sounding its best. The preamps run on a high-voltage supply to guarantee stability and provide you with a superior recording across a wide dynamic range. Performance driven A/D – D/A converters ensure pristine 24-bit/96kHz audio to capture every subtle detail of your performance.The I•ONIX U22 can record two tracks at once and includes 2 combi-jack mic/line inputs with +48V phantom power, 2 TRS balanced line outputs, a hi-Z instrument input, a ¼" high power headphone output, and MIDI I/O. Dedicated knobs and meters offer easy access to input and output levels and locking combi-jacks make sure that a connection is not lost in the middle of a performance.The Lexicon name is synonymous with the world’s best reverb. The Pantheon II VST/AU reverb plug-in offers 6 reverb types with 35 factory presets, which range from Vocal to Live Sound and Special Effects. Lexicon’s exquisitely rich, full reverbs make it easy to complete your mix by adding depth and dimension to any track.

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Mackie Onyx Blackjack Premium 2x2 USB Recording Interface with Tracktion 3 Music Production Software Review

Average Reviews:

(More customer reviews)I was worried from reading the other reviews that I would have problems. (including reviews outside of Amazon)
After doing a lot of research I realized that it was probably the right fit for what I want.
I have a MAC Power Book - OS 10.6.6
I had been using only the 1/8th inch jack on the side for input and that, obviously, wasn't cutting it.
I wanted to use an electric guitar and a near field mic for vocals - specifically a Sure SM57
- because I'm recording in a place where I can't control the outside sounds and if I want to get a clean sound without a lot of background noise
and a low noise floor, I knew I would need the less sensitive and more directional mic.
The Sure SM57 needs a pre-amp that generates at least 54db to 60db, because it's a dynamic mic.
The Mackie Onyx Blackjack 2x2 USB was the only USB box I found who's pre-amp was that strong.
Since I have a MAC there was no "driver" problems talked about in other reviews.
I plugged the box in, went to the System Preferences >Sound > switched the "Audio In" to Onyx Blackjack, started up "Logic" and it worked instantly.
No issues at all. Good quality sound. No Clicks, No Latency. Simple and Perfect for what I want it for.
I tested it on Electric Guitar and then vocals with the SM57, and with some larger diaphragm mics.
It does the job I want it to do, and I give it 5 stars.

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Let's face it. If you could fit one of our flagship Onyx 1640i consoles into your workspace and budget, you probably would do it. But that shouldn't mean you have to settle for the cheapest, plastic 2x2 interface available. We've spent serious time and research creating the Onyx Blackjack Premium USB Recording Interface. It delivers the same proven Onyx preamps as our other flagship Onyx products in an ultra-compact, ergonomic desktop design perfect for your home studio. Other professional features include high-end AD/DA converters, built-in DIs, phantom power and true analog hardware monitoring of inputs for hassle-free zero-latency tracking, in either mono or stereo. The USB connection provides bus-power to the Blackjack, eliminating the need for another cable run. Plus, it's Mac/PC friendly and ready for most major DAWs right out of the box. So, don't settle. Be smart and check out the Onyx Blackjack - the utmost in sonic quality and simplicity.


Boutique-Quality Onyx PreAmpsGreat recordings start with high-quality preamps and you will simply not find preamps at this price range better than Blackjack’s Onyx preamps. We invested significant R&D efforts into developing our flagship Onyx mic preamps. Found on our most expensive studio consoles, Onyx pres are designed to meet or surpass expensive, esoteric standalone mic pres in terms of fidelity, headroom and transparency – as well as improved radio frequency (RFI) rejection and ultra-wide dynamic range. And with a full 60dB of available gain, would-be competitors are left in the dust.


High-Quality AD/DA ConversionQuality doesn’t stop at the boutique Onyx preamps. The Onyx Blackjack uses Cirrus Logic® converters offering 114dB dynamic range (A-weighted) – a specification other companies sometimes charge thousands of dollars to achieve. Our preamp circuitry is aligned precisely with the onboard analog-to-digital conversion to always provide you with the most headroom and the lowest noise and distortion possible, a real sonic benefit that is often ignored on smaller interfaces.


Zero-Latency RecordingLatency is evil and must be punished. If you have recorded with digital gear, chances are you feel the same way. It’s a pesky computer-induced delay that can quickly kill the vibe of any recording session. Blackjack puts this issue to rest once and for all, featuring a true analog monitoring path directly from the preamps to your studio monitors and headphones. This means you can track while listening to the direct analog source with zero routing. Not only that, it also means you can adjust your buffer settings to maximize your computers processing ability. Oh yeah, Blackjack also allows you to track with zero latency in either mono or stereo, so you can get the right vibe when recording stereo signals like acoustic guitars and keyboards.


Professional ToolsNo other ultra-compact desktop interface delivers as many professional features as the Onyx Blackjack. Both channels double as built-in DIs for direct connection of guitars, basses, keyboards, drum machines, etc. Both channels also deliver 48V phantom power, so you can use studio-quality condenser mics with no problem. The studio monitor and headphone outputs have independent level controls for maximum flexibility. Plus, the Onyx Blackjack is bus-powered via USB, so there’s no power supply to lose or another cable cluttering your workspace. It also comes with Mackie’s Tracktion 3 Music Production software, so you can get started recording right away.


Ergonimacally InclinedMost desktop interfaces have a serious flaw: their construction. First off, most are made of cheap, breakable plastic. Onyx Blackjack features a sleek, powder-coated all-metal chassis that is truly “Built-Like-A-Tank". You could literally use it as a hammer to smash the competition (not recommended at your local store). Second, when they are sitting on your desk, the competition lies flat, with no way to read the markings on the front panel. Have you ever accidently turned the wrong knob during your session? Not fun. The Onyx Blackjack sits with a 25-degree inclination, allowing for full view of all controls at all times, meaning more recording time and less hassle. A good idea – right?

So there you have it. An extremely simple, but very powerful desktop interface that delivers all the features you want in a design that could fit in your man purse. Small studio. Big solution. Onyx Blackjack.


Features
Two boutique-quality Onyx mic preamps with class-leading fidelity and dynamic range
High-headroom design with ultra-low noise and distortion
Professional 24-bit recording/playback via 2x2 USB
High-end Cirrus Logic® AD/DA converters with 114dB dynamic range (A-weighted)
True analog hardware monitoring of inputs, in mono or stereo, for easy zero-latency recording
Compatible with most major DAWs
Logic®
SONAR™
Cubase®
Ableton® Live
Final Cut Pro®
...and more

Built-in DI on each input for direct connection of guitars, basses, etc.
48V phantom power for use with studio-quality condenser microphones
USB bus-powered, eliminating need for separate power cable
Separate studio monitor and headphone outs with independent level control
Sleek, ergonomic “Built-Like-A-Tank" desktop design
Includes Tracktion 3™ Music Production Software for Mac or PC



Software Requirements
For PC
Microsoft Windows 7 32 / 64, Vista 32 / 64 RTM or XP SP 2
Pentium 4, Celeron or Athlon XP processor
512 MB RAM

For Mac
Mac OS X 10.4.11 – 10.6.4
G4 processor
512 MB RAM

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Native Instruments Audio Kontrol 1 Interface Review

Average Reviews:

(More customer reviews)Audio Kontrol 1 is an elegant piece of hardware -- with physical heft, great software, nice sound quality, and a plethora of inputs (midi in and out, XLR in, and 1/8" in). This isn't for the project studio that relies on recording multiple inputs simultaneously, but not everyone needs that. It also comes with terrific soft synth and amp simulation software. The soft synth organs are excellent and unusual, with wonderful vintage timbres. If you don't have a FireWire input (which has superior throughput), this is the best USB solution I've used that combines midi and audio in a sleek, durable, and attractive package.

Click Here to see more reviews about: Native Instruments Audio Kontrol 1 Interface

The new AUDIO KONTROL 1 is a high-end audio interface offering crystal-clear 192 kHz, 24 bit-quality sound. But it is far more than just a sound card. Freely-assignable buttons and a controller knob, combined with advanced MIDI, high-end Cirrus Logic A/D/A converters, and key command functionality, grant full control of software applications. Setup files for popular programs such as iTunes, Winamp, or Final Cut Pro ensure it's hassle-free. It has individual gain controls with activity and clip LEDs. 4 - 1/4" TRS outputs with 2 stereo level controls. USB 2.0 bus powered, it includes full versions of TRAKTOR 3 LE, GUITAR COMBOS, and XPRESS KEYBOARDS. Merging innovation and quality, AUDIO KONTROL 1 does so with an ear for practicality.

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TASCAM VLM3 Stereo Powered Reference Monitor Review

Average Reviews:

(More customer reviews)First of all, these are very small. They are basically high quality computer speakers. I read about them in TapeOp magazine (if you don't have the book, get it: Tape Op: The Book About Creative Music Recording ) where they recommended them as good monitors for mixing. I find they lack some low end but definitely found that the mix I did on these translated well to other speakers. Considering that many people are listening to music on computer speakers or so so earplug headphones, this is a good reference if you're mixing music. As for just listening to music on the computer, these are excellent and many times better than the standard plastic box speakers that come with your computer. Well worth the price. My only concern is that the left speaker (which contains the amp) can really heat up if you leave it on a long time. Other than that, these are great speakers at a great price.

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The TASCAM VL-M3s are affordable stereo monitors for home recording, computer use and mixing. The stereo pair feature 3" drivers with a front-mounted bass port and built-in 24W stereo power amplifier. In addition to being an affordable solution for beginners and musicians on a budget, the VL-M3 monitors provide a "real-world" reference for music and post playback.

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Behringer U Control UCA202 USB Audio Interface Review

Average Reviews:

(More customer reviews)This thing is great. I needed to bypass my crappy soundcard on my PC in order to record high quality stereo audio onto my computer for a podcast. I had just shelled out $80 for the Inport Deluxe package from Xitel, which is basically a little analog-audio-to-USB adapter box similar to this, with a long audio cable and some bad software thrown in to justify the steep pricetag. Luckily I saved the receipt on the Inport and was able to take it back after discovering this item, which you can find for about $30 all over the internet.
The UCA202 has a headphone jack with a volume control so you can monitor what's being recorded to your computer, as you record it. Just be aware that you won't be able to listen to the playback from your audio recording software through your computer's monitor speakers unless you unplug this device from your USB port first, and there is no warning about this in the manual, which is why the 4 star review instead of 5. On some review sites there seemed to be confusion about what drivers were required to work with this device, but the first page of the manual states clearly that you don't need any drivers. I am running Windows XP and was able to just plug and play, no drivers needed, audio is loud and clear. By the way this is not a paid endorsement or anything, I just wanted to spare someone else a lot of the research time that I spent by saying, go ahead and get it.
Oh and of course you do need a good audio recording software like ProTools, Sound Forge, or Cubase to do a decent job of recording audio on your computer and letting you edit it and manipulate it with professional sounding results. If you are recording audio from a turntable (digitizing your LP collection) don't forget that you need some sort of preamp or tuner amp between the phonograph and this device. The output straight out of your turntable is too weak a signal to drive this device.
A grateful shout-out and mad props for this device go the Germans at Behringer, who designed it.

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The Behringer U Control UCA202 USB Audio Interface is a quick and easy upgrade to your soundLooking for a simple, affordable way to get your music into the digital realm? Or maybe you'd like to connect your computer to an external effects unit or recorder? Want to transfer your old cassette tapes to CD?The fastest, easiest way to get analog audio into your computer is with the U-CONTROL UCA202 Audio Interface.PC and Mac ReadyThis ultra-compact, USB-powered device lets you connect your PC or Mac computer to virtually any piece of audio gear. And the UCA202 requires no special setup or drivers-just plug it in to a free USB port and get busy. Requires Windows XP or 2000 and Mac OS9.0.4 or higher, 10.x or higher.VersatilityThe UCA202 provides two analog mono inputs and outputs (for monitoring), USB connectivity and an additional S/PDIF optical output for direct analog-to-digital conversion. The stereo headphone output features a dedicated level control and lets you listen to both the input and output.Imagine the possibilities...When used as a professional interface between a mixing console and your computer, myriad options become available. Some of these might include connecting the UCA202 RCA outputs: to the TAPE INPUT jacks of your mixer; to powered monitors or to the input channels on the mixer. Connecting to the mixer input channels allows you to use the Aux Send feature of your mixer to build an extremely versatile monitor mix for recording sessions. These are just a few of the possibilities; let us know how you use your UCA202.Tons of free softwareTo truly get the most out of your UAC202, you will need recording and editing software. So, we decided to give you lots of free software to choose from.KRISTAL Audio Engineis a powerful multi-track recorder, audio sequencer and mixer - ideal for anyone getting s

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